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LEADER 00000cam a2200733Mu 4500 
001    on1122459096 
003    OCoLC 
005    20220702022102.0 
006    m     o  d         
007    cr |n|---||||| 
008    191019s2020    deu     o     000 0 eng d 
019    1153638290 
020    1622738659 
020    9781622738656|q(electronic book) 
020    |z9781622738243 
020    |z1622738241 
020    |z1622739159 
020    |z9781622739158 
035    (OCoLC)1122459096|z(OCoLC)1153638290 
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049    RIDW 
050  4 ML410.B1 
082 04 780/.92|aB|223 
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245 00 Forms of Performance. 
264  1 Wilmington, DE :|bVernon Press,|c2020. 
300    1 online resource (85 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Series in music 
504    Includes bibliographical references and index. 
505 0  Part I. Musical border crossings in J.S. Bach's sacred 
       Cantatas / Michael Maul ; From Bach's violin to Italian 
       pianos : the Sei Solo in the Italian piano transcriptions 
       / Chiara Bertoglio ; Sonatas and Partitas for violin : a 
       play of mediations / Maria Borghesi ; Bach in Latin 
       America : good and bad uses of his figure in music 
       education / Francisco Castillo G. -- Part II. The futurist
       movement in Leo Ornstein's early piano solo music / Andrés
       Felipe Molano Ruiz ; Two art song versions of Leopardi's 
       L'Infinito / Alberto Nones ; New Piano Études : a 
       compositional and interpretive perspective / Marco Alunno 
       and Andrés Gómez Bravo. 
520    Today, Bach is one of the most revered and studied figures
       of classical music, despite there being a time in which he
       was almost forgotten. Divided into two sections, this 
       volume explores research on J.S. Bach and more broadly 
       examines the topics of music and performance studies; with
       the latter focusing on composers active today, such as 
       Marco Alunno, or those from the recent past who are lesser
       -known and performed, such as Pietro Cimara and Leo 
       Ornstein. Following from Nones's (ed.) previous 
       publication Music as Communication: Perspectives on Music,
       Image and Performance (ABE, 2018), this work provides a 
       rather unique contribution as a choral attempt at 
       exploring performance today. The intention of this book 
       and the downloadable audio content, with live recordings 
       of the music explored at the conference from which the 
       volume originated, is to inspire fresh approaches to the 
       study of a monument like Bach, while also encouraging 
       original research of modern composition and performance. 
       Recordings of the performances given over the two days of 
       the conference serve either to clarify arguments made in 
       the papers or to attest to the music explored more 
       generally. This volume is founded on the belief that the 
       history of music is comprised of many figures, some of 
       whom are undeservedly forgotten, and that our 
       understanding of and approach to music is simultaneously 
       shaped by the past and directed by the continual evolution
       of sounds and attitudes of the present. Examining music 
       styles from baroque (Bach) to contemporary (Alunno), Forms
       of Performance will be of particular interest to Bach and 
       performance studies scholars, as well as advanced 
       researchers and PhD students in this field. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Bach, Johann Sebastian,|d1685-1750.|0https://id.loc.gov/
       authorities/names/n79021425 
600 17 Bach, Johann Sebastian,|d1685-1750.|2fast|0https://
       id.worldcat.org/fast/31701 
648  7 21st century|2fast 
648  7 2000-2099|2fast 
650  0 Composers|zGermany|vBiography.|0https://id.loc.gov/
       authorities/subjects/sh2008101440 
650  0 Composers|0https://id.loc.gov/authorities/subjects/
       sh85029386|y21st century.|0https://id.loc.gov/authorities/
       subjects/sh2002012478 
650  0 Music|xPerformance|xHistory.|0https://id.loc.gov/
       authorities/subjects/sh85088807 
650  7 Composers.|2fast|0https://id.worldcat.org/fast/871620 
650  7 Music|xPerformance.|2fast|0https://id.worldcat.org/fast/
       1030398 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
651  7 Germany.|2fast|0https://id.worldcat.org/fast/1210272 
655  4 Electronic books. 
655  7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
655  7 Biographies.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026049 
700 1  Maul, Michael. 
700 1  Nones, Alberto.|0https://id.loc.gov/authorities/names/
       no2017069184 
776 08 |iPrint version:|aMaul, Michael.|tForms of Performance: 
       From J.S. Bach to M. Alunno (1972- ).|dWilmington, DE : 
       Vernon Press, ©2020|z9781622738243 
830  0 Vernon series in music.|0https://id.loc.gov/authorities/
       names/no2017151470 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2260595|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d202207013|cEBSCO|tEBSCOebooksacademic July NEW 6029
       |lridw 
994    92|bRID