| Description |
1 online resource (x, 250 pages) : illustrations. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
SUNY series, the margins of literature
|
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SUNY series, the margins of literature.
|
| Bibliography |
Includes bibliographical references (pages 237-243) and index. |
| Contents |
I. Cezanne and the Unity of Modernism. Modernism: Technique vs. Content. Cezanne: The Late Work -- II. From Impressionism to Cezanne: Psychological Theories. The Impression as Medium. The Redefinition of Sensation: Psychology and Epistemology. Psychological Positivism: Taine. Psychological Eclecticism: Psychophysics. Empathetic and Abstract Psychologism. The Bergsonian Synthesis. The Blending of Horizons: Bergson, Cezanne, Modernism -- III. From Impressionism to Cezanne: Aesthetic Theories. The Impressionists: From Sensations to Signs. From Truth to Symbol: Optics and Color Science. The Symbolists: From Signs to Images. In Conclusion: Cezanne, the Potential Synthesis -- IV. The Path into Modernism: Four Modalities of Imagery in Cezanne. The "Legendary" Cezanne. "Realization" in Nineteenth-Century Aesthetics. Cezanne's Early Period (1863-95). Symbolic Images: Realisation des Sensations. Cezanne's Experimental Period (1880-95). Plastic Images: Realisation sur Nature. Modulation. Condensation. The Motif. The Period of Serialization (1890-1906). Contemplative Images: Realisation du Motif. Visionary Images: Realisation du Motif -- V. Death and Non-Figuration: Cezanne's Ultimate Synthesis. The Pictorial Materials of the Imagination: Analytic Components and Antecedents of the Shifting Motif of The Cardplayers. The Narrative Materials of the Imagination: Scenes of Cardplaying and Card Fables as Sources of Emplotment. The Affective Materials: The Ugolino Drawing and Other Biographical Images as Indistinct Elements of Motif in The Cardplayers. Excursus: On the Mythology of Modern Death. Conclusion: The Trump Card/Players. |
| Access |
Use copy Restrictions unspecified MiAaHDL |
| Reproduction |
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL |
| System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
| Processing Action |
digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Cézanne, Paul, 1839-1906 -- Criticism and interpretation.
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Cézanne, Paul, 1839-1906. |
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Criticism and interpretation. |
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Cézanne, Paul, 1839-1906. |
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Impressionism (Art) -- France.
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Impressionism (Art) |
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France. |
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Modernism (Art) -- France.
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Modernism (Art) |
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Painting, French -- 19th century.
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Painting, French. |
| Chronological Term |
19th century |
| Subject |
Aesthetics, Modern -- 20th century.
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Aesthetics, Modern. |
| Chronological Term |
20th century |
| Subject |
Art -- Psychology.
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Art -- Psychology. |
| Chronological Term |
1800-1999 |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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| Other Form: |
Print version: Medina, Joyce, 1953- Cézanne and modernism. Albany, NY : State University of New York Press, ©1995 0791422313 (DLC) 94031716 (OCoLC)30895184 |
| ISBN |
0585045429 (electronic book) |
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9780585045429 (electronic book) |
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0791422313 |
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0791422321 |
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9780791422311 (alkaline paper) |
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9780791422328 (paperback ; alkaline paper) |
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