| Description |
1 online resource (xi, 207 pages) : illustrations |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references (pages 195-202) and index. |
| Contents |
Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index. |
| Summary |
Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Arts -- Political aspects.
|
|
Arts -- Political aspects. |
|
Arts, Modern -- 20th century.
|
|
Arts, Modern. |
| Chronological Term |
20th century |
| Subject |
Feminism and the arts.
|
|
Feminism and the arts. |
|
Performance art.
|
|
Performance art. |
|
Politics in art.
|
|
Politics in art. |
| Chronological Term |
1900 - 1999 |
| Genre/Form |
Electronic books.
|
| Subject |
Performance art. |
| Other Form: |
Print version: Phelan, Peggy. Unmarked. London ; New York : Routledge, 1993 (DLC) 92007895 |
| ISBN |
9780203359433 (electronic book ; Adobe Reader) |
|
0203359437 (electronic book ; Adobe Reader) |
|
9780415068215 |
|
0415068215 |
|
9780415068222 (paperback) |
|
0415068223 (paperback) |
|
0203359437 |
|
0415068215 |
|
0415068223 (paperback) |
|
