LEADER 00000cam a2200757Ma 4500 001 ocn191931706 003 OCoLC 005 20160527040726.1 006 m o d 007 cr cn||||||||| 008 920210s1993 enka ob 001 0 eng d 019 57048967|a62598427|a252894862|a437081992|a456008759 |a465852379|a475708901|a560305475|a647422037|a722411694 |a728015500|a756852611|a888676765 020 9780203359433|q(electronic book ;|qAdobe Reader) 020 0203359437|q(electronic book ;|qAdobe Reader) 020 9780415068215 020 0415068215 020 9780415068222|q(paperback) 020 0415068223|q(paperback) 020 |z0203359437 020 |z0415068215 020 |z0415068223|q(paperback) 035 (OCoLC)191931706|z(OCoLC)57048967|z(OCoLC)62598427 |z(OCoLC)252894862|z(OCoLC)437081992|z(OCoLC)456008759 |z(OCoLC)465852379|z(OCoLC)475708901|z(OCoLC)560305475 |z(OCoLC)647422037|z(OCoLC)722411694|z(OCoLC)728015500 |z(OCoLC)756852611|z(OCoLC)888676765 037 EBL179272|beBook Library|nhttp://www.eblib.com 040 COO|beng|epn|cCOO|dOCLCQ|dEBLCP|dN$T|dYDXCP|dMT4IT|dOCLCQ |dDKDLA|dMERUC|dCCO|dE7B|dMHW|dQE2|dIDEBK|dOCLCQ|dFVL |dOCLCQ|dOCLCO|dOCLCQ|dOCLCF|dOCLCQ|dOCLCO|dTYFRS|dNLGGC |dOCLCO|dOCLCQ|dOCLCO|dOCLCQ 049 RIDW 050 4 NX650.P6|bP47 1993eb 072 7 ART|x025000|2bisacsh 072 7 ART|x060000|2bisacsh 082 04 700/.1/03|220 090 NX650.P6|bP47 1993eb 100 1 Phelan, Peggy.|0https://id.loc.gov/authorities/names/ n92014579 245 10 Unmarked :|bthe politics of performance /|cPeggy Phelan. 264 1 London ;|aNew York :|bRoutledge,|c1993. 300 1 online resource (xi, 207 pages) :|billustrations 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|2rdaft 504 Includes bibliographical references (pages 195-202) and index. 505 0 Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index. 520 Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre. 588 0 Print version record. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 648 7 20th century|2fast 648 7 1900 - 1999|2fast 650 0 Arts|xPolitical aspects.|0https://id.loc.gov/authorities/ subjects/sh2009113916 650 0 Arts, Modern|y20th century.|0https://id.loc.gov/ authorities/subjects/sh85008419 650 0 Feminism and the arts.|0https://id.loc.gov/authorities/ subjects/sh85047750 650 0 Performance art.|0https://id.loc.gov/authorities/subjects/ sh85099809 650 0 Politics in art.|0https://id.loc.gov/authorities/subjects/ sh85104472 650 7 Arts|xPolitical aspects.|2fast|0https://id.worldcat.org/ fast/817791 650 7 Arts, Modern.|2fast|0https://id.worldcat.org/fast/818137 650 7 Feminism and the arts.|2fast|0https://id.worldcat.org/fast /922747 650 7 Performance art.|2fast|0https://id.worldcat.org/fast/ 1057852 650 7 Politics in art.|2fast|0https://id.worldcat.org/fast/ 1896083 650 7 Performance art.|2homoit|0https://homosaurus.org/v3/ homoit0001102 655 4 Electronic books. 776 08 |iPrint version:|aPhelan, Peggy.|tUnmarked.|dLondon ; New York : Routledge, 1993|w(DLC) 92007895 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=98098|zOnline eBook. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading this eBook|uhttp:// guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20160615|cEBSCO|tebscoebooksacademic|lridw 994 92|bRID