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Title Messiah : oratorio in three parts, HWV 56, 1742 / George Frideric Handel ; text by Charles Jennens, based on the Bible ; staged version by Claus Guth, Konrad Kuhn and Christian Schmidt ; from the Theater an der Wien.

Publication Info. Berlin : Cmajor ; [Munich] : Unitel Classica, [2010]
©2010

Item Status

Location Call No. Status OPAC Message Public Note Gift Note
 Talbott Media  DVD 582    Available  Ask at Circulation Desk
 Talbott Media  DVD 582  Booklet    Available  Ask at Circulation Desk
Description 1 videodisc (154 min.) : sound, color ; 4 3/4 in.
Physical Medium polychrome
Description digital
optical
mixed
video file
DVD video
System Details DVD-9; soundtracks in DTS 5.0, PCM stereo; aspect ratio 16:9.
Performer Martin Pöllmann, boy soprano ; Susan Gritton, Cornelia Horak, sopranos ; Bejun Mehta, alto ; Richard Croft, tenor ; Florian Boesch, bass ; Arnold Schoenberg Chor ; Ensemble Matheus ; Jean-Christophe Spinosi, conductor ; Paul Lorenger, dancer ; Nadia Kichler, sign language performer.
Credits Stage director, Claus Guth; stage and costume design, Christian Schmidt; lighting design, Jürgen Hoffmann; dramatic advisor, Konrad Kuhn; choreography, Ramses Sigl; video director, Hannes Rossacher.
Event Recorded in performance Mar. 3-4, 2009, Theater an der Wien.
Note Program notes and synopsis in English, German, and French (12 p. : ill.) inserted in container.
Summary "Central to the plot is the story of three men, perhaps three brothers, and the family entanglements bound up with their wives and children. One of the men commits suicide, after which the action onstage follows the attempts of the survivors to come to terms with what has happened. The burial is a fixed point and is followed by the events that led up to it and then by the question: "What comes next?" This approach gives concrete expression to a recurrent theme in Messiah: the category of human doubt. The abstract, philosophical layer of the score, the voice of God and the inner voices of the characters are taken by the chorus, which is choreographically involved in the action, as is the aforementioned dancer, who embodies not only the sufferings of Christ but also the life of the suicide victim after he has killed himself. Mention should also be made of a figure described as a "sign language performer", who accompanies the orchestral introduction, for example."--Booklet.
Language Sung in English; optional subtitles in English, German, French or Spanish
Subject Jesus Christ -- Drama.
Jesus Christ.
Genre/Form Drama.
Oratorios.
Oratorios.
Operas.
Operas.
Video recordings.
Video recordings.
Drama.
Added Author Jennens, Charles, 1700-1773, librettist.
Pöllmann, Martin, performer.
Gritton, Susan, performer.
Horak, Cornelia, performer.
Mehta, Bejun, performer.
Croft, Richard, 1959- performer.
Boesch, Florian, performer.
Spinosi, Jean-Christophe, 1964- conductor.
Lorenger, Paul.
Kichler, Nadia.
Guth, Claus, 1964-
Schmidt, Christian, 1966-
Hoffmann, Jürgen.
Kuhn, Konrad.
Sigl, Ramses.
Rossacher, Hannes.
Handel, George Frideric, 1685-1759. Messiah.
Arnold-Schönberg-Chor, performer.
Ensemble Matheus, performer.
Unitel Classica (Firm)
C Major Entertainment GmbH.
Standard No. 814337010300
Music No. 703008 Cmajor