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019    1298452246 
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020    1474495990|q(electronic book) 
020    9781474470070|q(electronic book) 
020    1474470076|q(electronic book) 
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035    (OCoLC)1247203476|z(OCoLC)1298452246 
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050  4 GT1748.E85|bP67 2021eb 
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090    GT1748.E85|bP67 2021eb 
100 1  Popenhagen, Ron J.,|d1953-|0https://id.loc.gov/authorities
       /names/nr2002006906|eauthor. 
245 10 Modernist disguise :|bmasquerade in modern performance and
       visual culture /|cRon J. Popenhagen. 
264  1 Edinburgh :|bEdinburgh University Press,|c[2021] 
264  4 |c©2021 
300    1 online resource (xii, 253 pages) :|billustrations (black
       and white). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Edinburgh critical studies in modernism, drama and 
       performance 
504    Includes bibliographical references (pages 222-239) and 
       index. 
505 0  Impressions of the covered body -- Facing change and 
       changing masks -- Reforming and uniforming the body -- 
       Feigned and distorted bodyscapes -- Actors' effigies and 
       photo-portraits -- Fractured and effaced façades -- Other 
       places. 
520 8  Analyses the expansion of head and body masking from 
       nineteenth-century Paris to its international maturity in 
       contemporary culture. Looks at the presence and 
       development of masquerade in the modernist era - via 
       performance history - with parallel references to 
       theatricality and performativity in visual arts and visual
       culture. Comments upon masquerade's foundation in popular 
       performance throughout the 19th and 20th centuries, 
       frequently alluding to significant images from the history
       of photography. Theorises masquerade within the context of
       European theatre and drama scholarship, as well as British
       and European conservatory arts and performance training. 
       Employs critical thinking influenced by phenomenological 
       and semiotic analyses of performance. This book highlights
       that masquerade can be regarded as a distinct genre of 
       performance activity that employs elements of the 
       carnivalesque, circus, dance, gestural theatre and theatre
       of objects. Popenhagen traces artistic disguising from fin
       de siecle Pierrots in Paris, Marseille and Vienna to early
       twentieth-century masquerading in Moscow and Zurich. He 
       explores identity play and display through the 
       complementary lenses of image studies, cultural history 
       and performance theory. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 19th century|2fast 
648  7 20th century|2fast 
648  7 1800-1999|2fast 
650  0 Masquerades|0https://id.loc.gov/authorities/subjects/
       sh86000513|zEurope.|0https://id.loc.gov/authorities/
       subjects/sh85045631-781 
650  0 Performance art|0https://id.loc.gov/authorities/subjects/
       sh85099809|zEurope.|0https://id.loc.gov/authorities/
       subjects/sh85045631-781 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
       sh85007975|zEurope|0https://id.loc.gov/authorities/
       subjects/sh85045631-781|xHistory|y19th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006167 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
       sh85007975|zEurope|0https://id.loc.gov/authorities/
       subjects/sh85045631-781|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006165 
650  7 Masquerades.|2fast|0https://id.worldcat.org/fast/1011181 
650  7 Performance art.|2fast|0https://id.worldcat.org/fast/
       1057852 
650  7 Art and society.|2fast|0https://id.worldcat.org/fast/
       815432 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Performance art.|2homoit|0https://homosaurus.org/v3/
       homoit0001102 
651  7 Europe.|2fast|0https://id.worldcat.org/fast/1245064 
655  0 Electronic books. 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|z147447005X|z9781474470056
       |w(OCoLC)1183423958 
830  0 Edinburgh critical studies in modernism, drama and 
       performance.|0https://id.loc.gov/authorities/names/
       no2013132370 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2709227|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d202207013|cEBSCO|tEBSCOebooksacademic July NEW 6029
       |lridw 
994    92|bRID