Description |
xxiii, 258 pages : illustrations (part color) ; 32 cm. |
Series |
Bollingen series ; 78
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Bollingen series ; 78.
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Note |
Translation of two unpublished manuscripts, Wie ein Kunstwerk gesehen sein will, and Empirische Kunstwissenschaft. |
Bibliography |
Includes bibliographical references. |
Contents |
ǂg [1.] ǂt The demands of art: ǂt The work of art and the model in nature: Cézanne: Mont Sainte-Victoire -- ǂt The work of the artistic imagination: Degas: Leaving the bath -- ǂt The artist's development: Giotto: Lamentation over the body of Christ and The death of Saint Francis -- ǂt The literary model and the work of art: Rembrandt: Joseph interprets Pharaoh's dreams -- ǂt Discord between form and content: Picasso: Guernica -- ǂt The struggle to understand art -- ǂg [2.] ǂt Appendix: ǂt Toward an empirical theory of art (1941) -- ǂt Part one: Basic concepts of description: ǂt Individual form ; ǂt Total configuration ; ǂt Composition |
Subject |
Art -- Psychology.
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Art -- Psychology. |
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Art -- Philosophy.
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Art -- Philosophy. |
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Art criticism.
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Art criticism. |
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