LEADER 00000cam a2200661Mi 4500 
001    ocn827207337 
003    OCoLC 
005    20160527041414.4 
006    m     o  d         
007    cr |n||||||||| 
008    130211s2013    flu     ob    001 0 eng d 
019    844069486 
020    9780813045009|q(electronic book) 
020    0813045002|q(electronic book) 
020    0813044022|q(alkaline paper) 
020    9780813044026|q(alkaline paper) 
035    (OCoLC)827207337|z(OCoLC)844069486 
040    EBLCP|beng|epn|cEBLCP|dOCLCQ|dYDXCP|dMEU|dN$T|dP@U|dOCLCF
       |dOCLCO|dOCLCQ|dOCLCO|dDEBSZ|dOCLCO|dE7B|dIDEBK|dCDX|dCOO
       |dNLGGC|dOCLCO|dCLV|dOCLCO|dOCLCQ|dOCLCO|dOCL|dOCLCQ
       |dOCLCO 
043    nwcu--- 
049    RIDW 
050  4 GV1785 .A634|bS56 2013eb 
072  7 PER|x003010|2bisacsh 
072  7 PER|x003040|2bisacsh 
072  7 PER|x003070|2bisacsh 
082 04 792.8028092 
090    GV1785 .A634|bS56 2013eb 
100 1  Singer, Toba.|0https://id.loc.gov/authorities/names/
       n2007038571 
245 10 Fernando Alonso :|bthe father of Cuban ballet /|cToba 
       Singer. 
264  1 Florida :|bUniversity Press of Florida,|c2013. 
300    1 online resource (264 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Cover; Contents; Prologue with Letter from Alicia Alonso; 
       Acknowledgments; Part I. Antes (Before); 1. Always Ask 
       Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. 
       Alicia, Fernando, and Laura: Giant Steps across a Changing
       Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth
       of Ballet Theatre; 5. Repertoire, Camaraderie, and an 
       Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New 
       York, and a Dawning in Havana; 8. Ballet Theatre, a 
       University of Dance, and More . . .; 9. Ballet Alicia 
       Alonso; 10. El Maestro de Maestros, the Father of Cuban 
       Ballet. 
505 8  11. Crafting a Curriculum, Sculpting a Style12. Legends 
       and Lessons: Laura and Loipa; 13. A Revolutionary 
       Proposal; 14. Batista's Blackmail Bid; 15. The Soviet 
       Union Invites the Alonsos; Part II. Después (After); 16. 
       Cuban Revolution Triumphs-and Invests in Ballet!; 17. 
       Constructing Ballet Schools, Extending the Revolution; 18.
       International Recognition Abroad, at Home, on Film, and in
       Print; 19. Camagüey: The Center of Gravity Shifts; 20. 
       Révérence; Part III. Recuerdos (Recollections); 
       Introduction; Aurora Bosch; Carlos Acosta; Azari 
       Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño.
505 8  Tania VergaraMenia Martínez; René de Cárdenas; John White;
       Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna 
       Feijóo and Nelson Madrigal; Donald Saddler; Grettel 
       Morejón; Appendix A: Dance Magazine Interview; Appendix B:
       La danza eterna Interview; Appendix C: Address to the 
       Assemblée Internationale, Toronto; Appendix D: Prizes 
       Awarded to Cuban National Ballet Dancers, 1964-1974; 
       Appendix E: Selected BNC-Commissioned Repertoire Works, 
       1959-1974; Appendix F: Elementary, Middle Ballet, and 
       National Arts Schools; Appendix G: Proposal on Ballet. 
505 8  Appendix H: Revolutionary Government Statute to Guarantee 
       National Ballet and Law 812Chronology; Notes; 
       Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; 
       M; N; O; P; Q; R; S; T; U; V; W; Y; Z. 
520    Written records of Alonso's work are scarce, yet Toba 
       Singer's quest to spotlight his seminal role in the 
       development of the modern ballet canon yields key material
       : pre-blockade tapes from Lincoln Center, Spanish-language
       sources from the Museum of Dance in Havana, and interviews
       with the ballet master himself alongside a broad range of 
       friends, relatives, and collaborators from throughout his 
       long career, including his ex-wife, Alicia, a famous 
       ballerina in her own right. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Alonso, Fernando,|d1914-2013.|0https://id.loc.gov/
       authorities/names/n2001088156 
600 17 Alonso, Fernando,|d1914-2013.|2fast|0https://
       id.worldcat.org/fast/1897485 
650  0 Ballet dancers|0https://id.loc.gov/authorities/subjects/
       sh85011283|zCuba|0https://id.loc.gov/authorities/names/
       n79079435-781|vBiography.|0https://id.loc.gov/authorities/
       subjects/sh99001237 
650  7 Ballet dancers.|2fast|0https://id.worldcat.org/fast/826041
651  7 Cuba.|2fast|0https://id.worldcat.org/fast/1205805 
655  4 Electronic books. 
655  7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896 
655  7 Biographies.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026049 
776 08 |iPrint version:|aSinger, Toba.|tFernando Alonso : The 
       Father of Cuban Ballet.|dFlorida : University Press of 
       Florida, ©2013|z9780813044026 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=536915|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID