Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinema#65533;e(tm)s place in the fictions and critical writings of major female literary figures.
Bibliography
Includes bibliographical references (pages 199-216) and index.
Contents
Off to the pictures: cinema, fiction and interwar culture -- Screen fantasies: tie-ins and the short story -- Middlebrow modernity: class, cinema-going and selfhood -- Wander, watch, repeat: Jean Rhys and cinema -- Film talk: C.A. Lejeune and the female film critic -- Elinor Glyn: intermedial romance and authorial stardom.
Local Note
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