| Description |
1 online resource. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Gender studies
|
|
Gender studies (Bielefeld, Germany)
|
| Note |
Reyhan Şahin, also known as Lady Bitch Ray. |
| Thesis |
University of Kassel 2015 |
| Bibliography |
Includes bibliographical references (pages 159-189). |
| Summary |
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term 'Kanackin'. She especially searches for the lost relation between popfeminism in Germany and histories of migration. By means of decolonial methodologies and Situational Analysis, the study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. From a transcultural angle, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany. |
| Contents |
Machine generated contents note: "Ich bin 'ne Kanackin" -- Beyond Sexual Explicitness -- Resistance Through Insistence -- Feminism's (M)others -- Kanack_in -- Pluralizations and Queerings -- Translingualizations -- Productive Paradoxes -- Situational Analysis of the Group Discussions -- Situational Analysis -- Maps, Gaps, and Traps -- Shaping Discourses, Knitting the Not Yet -- Linking Theoretical Sensitivity with Self-Reflexivity -- Grounded Theory in Multilingual Research -- In-Vivo Coding and Transcultural Translation -- Translanguaging the Coding Process -- In-Vivo Coding -- Living in Translation -- Situating the Group Discussions -- Informant Participants -- the Knowledge that is (not) Power -- The Unsaid in the Said; The Said in the Unsaid -- Digressions and Silences -- The Project Map: A Trefoil Knot -- Not Yet A Code -- Transcultural Locational Feminism -- Turkishness, or Where on Earth? -- "Looking one's Parents in the Eyes." |
|
Note continued: From Duisburg to Istanbul -- Transcultural Geographies -- Germanness -- the Second Person `I' -- Sexual Emancipation and Its Cultural Limits -- Ozenti Olmak -- Almost the Same but Not Quite -- Feminism -- Aposiopetic Positioning -- Pointing at the Limits of Existing Discourses -- A Question, Not Yet an Answer. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Language |
In English. |
| Subject |
Şahin, Reyhan, 1981- -- Criticism and interpretation.
|
|
Şahin, Reyhan, 1981- |
|
Criticism and interpretation. |
|
Hip-hop feminism.
|
|
Hip-hop feminism. |
|
Women rap musicians -- Germany.
|
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Women rap musicians. |
|
Germany. |
|
Women, Turkish -- Germany -- Social conditions.
|
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Women, Turkish. |
|
Social conditions. |
|
Turkish students -- Germany -- Attitudes.
|
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Turkish students. |
| Genre/Form |
Academic theses.
|
|
Electronic books.
|
|
Criticism, interpretation, etc.
|
|
Academic theses.
|
| Other Form: |
Print version: Tuzcu, Pinar. "Ich bin eine Kanackin". Bielefeld : Transcript, [2017] 9783839435724 |
| ISBN |
9783839435724 (electronic book) |
|
3839435722 (electronic book) |
|
3837635724 |
|
9783837635720 |
|
9783837635720 |
|
3837635724 |
| Standard No. |
9783837635720 |
|
