| Description |
1 online resource (xiii, 279 pages) : illustration |
|
Women language |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Summary |
"Using a comparative, feminist approach informed by English and Italian literary and theatre studies, this book investigates connections between Shakespearean comedy and the Italian novella tradition. Shakespeare's comedies adapted the styles of wit, character types, motifs of enclosed spaces, and other narrative materials of the Italian tradition for the Elizabethan and Jacobean stage, and investigated social norms and roles through a conversation carried out in narrative and drama. Arguing that Shakespeare's comic heroines express the playwright's reading of the novella, particularly his comic vision at the turn of the seventeenth century, this book demonstrates how such a vision valued women's authority and consent in the comic conclusion. The representation of female authority in novella collections is complex and paradoxical, as the stories portray women not only in the roles of witty plotters and storytellers but also through a poetics of enclosed spaces - including trunks, chests, caskets, graves, cups, and beds. These spaces are not as confining or simple as they may first appear. The relatively open-ended rhetorical situation of early modern English theatre and the dialogic form and narrative material available in the novella tradition combine to help create the complex female characters in Shakespeare's plays and a new form of English comedy."-- Provided by publisher |
| Contents |
Introduction: Enclosure, conversation, and spaces of authorship -- 1. Filomena's voice: female character and authority in Shakespeare's early Italianate comedies -- 2. Thinking inside and outside the box: the casket test and audience response in The Merchant of Venice -- 3. "Are you a comedian?": the trunk in Twelfth Night as mobility machine -- 4. Novellesque domesticity and impossible places in The Merry Wives of Windsor -- 5. Reforming civility in Measure for Measure -- 6. Rewriting the "Ladies' Text": All's Well That Ends Well -- 7. Seeing as reading and retelling in Cymbeline -- Conclusion -- Appendix: Italian and French novellas in England. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Shakespeare, William, 1564-1616 -- Characters -- Women.
|
|
Shakespeare, William, 1564-1616. |
|
Shakespeare, William, 1564-1616 -- Comedies.
|
|
Shakespeare, William, 1564-1616 -- Sources.
|
| Genre/Form |
Sources.
|
| Subject |
English literature -- Italian influences.
|
|
English literature -- Italian influences. |
|
Women in literature.
|
|
Women in literature. |
|
LITERARY CRITICISM -- Renaissance. |
|
Humorous plays. |
| Other Form: |
Print version: Walter, Melissa Emerson, 1967- Italian novella and Shakespeare's comic heroines. Toronto ; Buffalo ; London : University of Toronto Press, 2019 1487503644 (OCoLC)1089968583 |
| ISBN |
9781487518424 (electronic book) |
|
1487518420 (electronic book) |
|
9781487518431 (electronic book) |
|
1487518439 (electronic book) |
|
1487503644 |
|
9781487503642 |
|
