LEADER 00000cam a2200505Ii 4500 
001    ocn904541430 
003    OCoLC 
005    20160127100334.0 
008    150306t20152015iluag    b   s001 0 eng d 
015    GBB4C2480|2bnb 
016 7  016931351|2Uk 
019    877367819|a902671299 
020    9780252038723 
020    025203872X 
040    ERASA|beng|erda|cERASA|dYDXCP|dBTCTA|dBDX|dUKMGB|dSPI|dTDF
       |dCIA|dOCLCO|dOCLCF|dNHM|dGZN|dOCL|dCOO|dRBN|dOCLCA|dWCH 
049    WCHA 
090    ML197|b.T466 2015 
100 1  Tenney, James,|0https://id.loc.gov/authorities/names/
       n84148369|eauthor. 
245 10 From scratch :|bwritings in music theory /|cJames Tenney ;
       edited by Larry Polansky, Lauren Pratt, Robert Wannamaker,
       and Michael Winter. 
246 30 Writings in music theory 
264  1 Urbana ;|aChicago ;|aSpringfield :|bUniversity of Illinois
       Press,|c[2015] 
264  4 |c©2015 
300    xxxi, 467 pages :|billustrations, music ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction / Larry Polansky -- On the development of the
       structural potentialities of rhythm, dynamics, and timbre 
       in the early nontonal music of Arnold Schoenberg (1959) --
       Meta [does not equal] Hodos (1961) -- Computer music 
       experiences, 1961-1964 (1964) -- On the physical 
       correlates of timbre (1965) -- Excerpts from "An 
       experimental investigation of timbre---the violin" (1966) 
       -- Form in twentieth-century music (1969-70) -- META Meta 
       [does not equal] Hodos (1975) -- The chronological 
       development of Carl Ruggles's melodic style (1977) -- 
       Hierarchical temporal gestalt perception in music: a 
       metric space model (with Larry Polansky) (1978-80) -- 
       Introduction to "Contributions toward a quantitative 
       theory of harmony" (1979) -- The structure of harmonic 
       series aggregates (1979) -- John Cage and the theory of 
       harmony (1983) -- Reflections after Bridge (1984) -- 
       Review of Music as heard by Thomas Clifton (1985) -- About
       Changes: sixty-four studies for six harps (1987) -- 
       Darmstadt lecture (1990) -- The several dimensions of 
       pitch (1993/2003) -- On "crystal growth" in harmonic space
       (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-
       Meta [does not equal] Hodos (1959) -- Appendix 2. On 
       musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt 
       from A history of 'consonance' and 'dissonance' (1988). 
546    English text. 
648  7 20th century|2fast 
648  7 1900 - 1999|2fast 
650  0 Music theory|xHistory|y20th century.|0https://id.loc.gov/
       authorities/subjects/sh85088834 
650  7 Music theory.|2fast|0https://id.worldcat.org/fast/1030620 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
700 1  Pratt, Lauren,|0https://id.loc.gov/authorities/names/
       no2017029639|eeditor. 
700 1  Wannamaker, Rob,|0https://id.loc.gov/authorities/names/
       n2009028561|eeditor. 
700 1  Winter, Michael,|d1980-|0https://id.loc.gov/authorities/
       names/no2011033037|eeditor. 
700 1  Polansky, Larry,|d1954-|0https://id.loc.gov/authorities/
       names/n88635233|eeditor. 
901    MARCIVE 20231220 
948    |d20160930|clti|tlti-aex 
994    C0|bWCH