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020    0511153651 
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020    1280162171 
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050  4 PR3034|b.W45 2000eb 
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090    PR3034|b.W45 2000eb 
100 1  Weimann, Robert.|0https://id.loc.gov/authorities/names/
       n50020959 
245 10 Author's pen and actor's voice :|bplaying and writing in 
       Shakespeare's theatre /|cRobert Weimann ; edited by Helen 
       Higbee and William West. 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c2000. 
300    1 online resource (xiii, 298 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Cambridge studies in Renaissance literature and culture ;
       |v39 
504    Includes bibliographical references (pages 269-288) and 
       index. 
505 00 |tIntroduction: conjunctures and concepts --|tPerformance 
       and authority in Hamlet (1603) --|tA new agenda for 
       authority --|t"Low and ignorant" crust of corruption --
       |tTowards a circulation of authority in the theatre --
       |tPlayers, printers, preachers: distraction in authority -
       -|tPen and voice: versions of doubleness --|t"Frivolous 
       jestures" vs. matter of "worthiness" (Tamburlaine) --
       |tBifold authority in Troilus and Cressida --|t"Unworthy 
       scaffold" for "so great an object" (Henry V) --|tPlaying 
       with a difference --|tTo "disfigure, or to present" (A 
       Midsummer Night's Dream) --|tTo "descant" on difference 
       and deformity (Richard III) --|t"Self-resembled show" --
       |tPresentation, or the performant function --|tHistories 
       in Elizabethan performance --|tDisparity in mid-
       Elizabethan theatre history --|tReforming "a whole theatre
       of others" (Hamlet) --|tFrom common player to excellent 
       actor --|tDifferentiation, exclusion, withdrawal --
       |tHamlet and the purposes of playing --|tRenaissance 
       writing and common playing --|tUnworthy antics in the 
       glass of fashion --|t"When in one line two crafts directly
       meet" --|t(Word)play and the mirror of representation --
       |tSpace (in)dividable: locus and platea revisited --
       |tSpace as symbolic form: the locus --|tOpen space: 
       provenance and function --|tLocus and platea in Macbeth --
       |tBanqueting in Timon of Athens --|tShakespeare's endings:
       commodious thresholds --|tEpilogues vs. closure --|tEnds 
       of postponement: holiday into workaday --|tThresholds to 
       memory and commodity --|tLiminality: cultural authority 
       'betwixt-and-between'. 
520    Robert Weimann redefines the relationship between writing 
       and performance, or 'playing', in Shakespeare's theatre 
       and offers a reconsideration and redefinition of 
       Elizabethan performance and production practices. The 
       study reviews the most recent methodologies of textual 
       scholarship, performance theory, and film interpretation, 
       and offers a new approach to understanding Shakespeare. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Shakespeare, William,|d1564-1616|0https://id.loc.gov/
       authorities/names/n78095332|xKnowledge and learning|0https
       ://id.loc.gov/authorities/subjects/sh2002011409
       |xPerforming arts. 
600 10 Shakespeare, William,|d1564-1616|xCriticism and 
       interpretation.|0https://id.loc.gov/authorities/subjects/
       sh85120926 
600 10 Shakespeare, William,|d1564-1616|xDramatic production.
       |0https://id.loc.gov/authorities/subjects/sh85120938 
600 14 Shakespeare, William,|d1564-1616. 
600 17 Shakespeare, William,|d1564-1616.|2fast|0https://
       id.worldcat.org/fast/29048 
600 17 Shakespeare, William.|2swd 
650  0 Theater in literature.|0https://id.loc.gov/authorities/
       subjects/sh94009143 
650  0 Acting in literature.|0https://id.loc.gov/authorities/
       subjects/sh93007903 
650  0 Drama|xTechnique.|0https://id.loc.gov/authorities/subjects
       /sh85039333 
650  7 Performing arts.|2fast|0https://id.worldcat.org/fast/
       1057887 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
650  7 Theater in literature.|2fast|0https://id.worldcat.org/fast
       /1149340 
650  7 Acting in literature.|2fast|0https://id.worldcat.org/fast/
       796171 
650  7 Drama|xTechnique.|2fast|0https://id.worldcat.org/fast/
       897512 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
700 1  Higbee, Helen.|0https://id.loc.gov/authorities/names/
       n99836387 
700 1  West, William. 
776 08 |iPrint version:|aWeimann, Robert.|tAuthor's pen and 
       actor's voice.|dCambridge ; New York : Cambridge 
       University Press, 2000|z0521781302|w(DLC)   99087468
       |w(OCoLC)43109884 
830  0 Cambridge studies in Renaissance literature and culture ;
       |0https://id.loc.gov/authorities/names/n91126740|v39. 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=72804|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160615|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID