LEADER 00000cam a22006498i 4500 001 ocn945583226 003 OCoLC 005 20171103075824.1 006 m o d 007 cr un||||||||| 008 160317s2016 onc ob 000 d eng 019 966575656|a974947359 020 9780776623290|q(electronic book) 020 077662329X|q(electronic book) 020 9780776623283|q(electronic book) 020 0776623281|q(electronic book) 020 9780776623276 020 0776623273 035 (OCoLC)945583226|z(OCoLC)966575656|z(OCoLC)974947359 037 22573/ctt1ck2brk|bJSTOR 040 NLC|beng|erda|epn|cNLC|dYDXCP|dJSTOR|dP@U|dOCLCF|dCELBN |dAGLDB|dN$T|dK6U|dOTZ|dOCLCQ|dIGB 043 n-cn-bc 049 RIDW 050 4 PR9199.3.A55|bG63 2016eb 055 0 PS8501 I45|bA17 2016 072 7 FIC|x000000|2bisacsh 082 04 C812/.52|223 090 PR9199.3.A55|bG63 2016eb 100 1 Aikins, Carroll,|d1888-1964,|0https://id.loc.gov/ authorities/names/no2016166889|eauthor. 245 14 The god of gods :|ba Canadian play /|cCarroll Aikins ; edited by Kailin Wright. 250 A critical edition. 263 1604 264 1 Ottawa, Ontario :|bUniversity of Ottawa Press,|c2016. 300 1 online resource 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 text file|2rdaft 504 Includes bibliographical references. 520 "This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins's often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the play's productions. Much of the play's historical significance lies in Aikins's vital role in Canadian theatre, as director of the Home Theatre in British Columbia (1920 22) and artistic director of Toronto's Hart House Theatre (1927 29). Wright reveals The God of Gods as a modernist Canadian work with overt influences from European and American modernisms. Aikins's work has been compared to European modernists Gordon Craig, Adolphe Appia, and Jacques Copeau. Importantly, he was also intimately connected with modernist Canadian artists and the Group of Seven (who painted the scenery for Hart House Theatre). The God of Gods contributes to current studies of theatrical modernism by exposing the primitivist aesthetics and theosophical beliefs promoted by some of Canada's art circles at the turn of the twentieth century. Whereas Aikins is clearly progressive in his political critique of materialism and organized religion, he presents a conservative dramatization of the noble savage as hero. The critical introduction examines how The God of Gods engages with Nietzschean and theosophical philosophies in order to dramatize an Aboriginal lover- artist figure that critiques religious idols, materialism, and violence. Ultimately, The God of Gods offers a look into how English and Canadian theatre audiences responded to primitivism, theatrical modernism, and theosophical tenets during the 1920s."--|cProvided by publisher. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 650 0 Indians of North America|zBritish Columbia|0https:// id.loc.gov/authorities/subjects/sh85065437|vDrama.|0https: //id.loc.gov/authorities/subjects/sh99001612 650 5 Canadian drama (English) 650 7 Indians of North America.|2fast|0https://id.worldcat.org/ fast/969633 651 7 British Columbia.|2fast|0https://id.worldcat.org/fast/ 1205265 655 4 Electronic books. 655 7 Drama.|2fast|0https://id.worldcat.org/fast/1423879 655 7 Drama.|2lcgft|0https://id.loc.gov/authorities/genreForms/ gf2014026297 700 1 Wright, Kailin,|0https://id.loc.gov/authorities/names/ no2016166979|eeditor. 776 08 |iPrint version:Aikins, Carroll, 1888-1967.|tGod of gods. |bA critical edition.|w(CaOONL)20169019772 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=1431387|zOnline eBook. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading this eBook|uhttp:// guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20171110|cEBSCO|tebscoebooksacademic NEW|lridw 994 92|bRID