Description |
xx, 428 pages ; 22 cm |
Bibliography |
Includes bibliographical references. |
Contents |
Our Local Idioms -- Footnote to a Cinematic Primer -- Adventures in Film-Watching -- "Hardly a Man Is Now Alive": Monologue on a Nazi Film -- Fugue of Faces: A Danish Film and some Photographs -- The Japanese Film: Inquiries and Inferences -- La Strada: Cinematic Intersections -- A Festival of Art Films -- Love, Death, and the "Foreign" Film-1957 -- Long Voyage Home with John Ford -- International Film Scene: Asia, Italy, and Mexico -- A Condemned Man Escapes: Five Films on the Subject -- The Hidden Fortress: Kurosawa's Comic Mode -- From the Sound of Silence -- The Moral Cinema: Notes on Some Recent Italian Films -- European Film Notebook -- Eisenstein's Third Eye: "The Swede" -- Of Night, Fire, and Water -- Kinds of Loving in the International Film -- Program Notes for Two Classics -- Nostalgia of the Infinite: Notes on Chirico, Antonioni, Resnais -- After Bergman... -- Films to Confirm the Poets -- One Man's Film Festival -- The Italian Film: Left Hand, Right Hand -- The Wilderness Art of Arne Sucksdorff -- Some Obiter Dicta on Recent French Films -- Films from the Perimeter -- The Verge and After: Film by 1966 -- Three Film-makers Revisit Themselves -- International Film: Tensions and Pretensions -- Poetry, Politics, and Pornography -- London Film Chronicle: Variation on a Personal Theme -- I've Been Reading These Film Critics -- Children and Fools -- War Games: Work in Progress -- Film Chronicle: Notes on the Compulsive Revolution -- Films from Hungary and Brazil -- Parentheses for Reviews Never Written -- Thoughts After Attending Another Film Society Bunuel Series -- Some American Films: A Modest Proposal -- "A Sad Tale's Best for Winter": On Re-seeing The Third Man -- The Brave American. |
Form |
Also issued online. |
Genre/Form |
Motion pictures.
|
|
Motion pictures.
|
ISBN |
0812901886 |
|
9780812901887 |
|