| Description |
1 online resource (656 pages) : illustrations (some color), facsimiles, portraits |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Cover; Contents; Introduction: A Research Atelier Organized by the Master's Program Aisthesis for the International Consortium on Art History / Michael F. Zimmermann; I. Vision in Motion: Framing and Perspectivation; Moving / Claude Imbert; Seeing / Michael F. Zimmermann; II. Orders and Regimes of Time: Discipline and Poetics; Vision in Locomotion: The ""Train Effect"" in the Visual Arts, Its Anticipation in Phantasmagoria, and Its Continuation in Film / Ségolène Le Men; Poetic and Media-Oriented Perception in Post-Romantic Modernism: From Baudelaire to Buñuel / Christian Wehr. |
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Objects at a Distance: Karl Schnaase's description of the Antwerp Cathedral (1834) and the Pedagogic Conditioning of the Eye During the Nineteenth Century / Tobias TeutenbergSynchronies of Violence: Italian Colonialism and Marinetti's Depiction of Africa in ""Mafarka the Futurist"" / Carmen Belmonte; From Verticality to Horizontality: Tilting the Gaze and Learning How to See / Nolwenn Mégard; Mapping the Eye: ""Laocoön"" and Eye Movement in Art / Christoph Wagner. |
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Aesthetic Echoes in the Beholder's Eye? Aesthetic Echoes in the Beholder's Eye? Empirical Evidence for the Divergence of Theory and Practice in the Perception of Abstract Art / Laura Commare, Hanna BrinkmannCapturing Motion, Shaping Time: From Chronophotography to Digital Film / Fabienne Liptay; III. Figures of Dance; Edgar Degas's ""Ballet class"": Latent Motion and the Reconfiguration of Motifs / Christian Berger; Dancing Like Mondrian Paints: The Interaction of Dance and Abstract Art (1900-1930) / Anja Pawel; 1913: Archipenko's Plaster Statues, or The Time of Dancing. |
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Pina Bausch's Choreography: A Laboratory for Art or for Life? / Fabienne BrugèreArabesque Vision: On Perceiving Dancing as ""Écriture Corporelle"" in William Forsythe's ""The Vertiginous Thrill of Exactitude"" / Alexander Schwan; IV. Protracted Presence and Duration; Sculpture and Temporality: Art as Experiment under the Spell of Vitalism / Catherine Chevillot; Configuring Poetic Time: Figures of Movement and Perception in Marcel Proust's ""À la recherche du temps perdu"" / Boris Roman Gibhardt; ""Here, everything moves. |
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Nothing is dead here"": ""Perpetuum Mobile"" and Time Control in the Work of Paul Scheerbart and Bruno Taut / Sophie GoetzmannMovement-Afterimages: Marcel Duchamp's ANÉMIC CINÉMA / Henning Schmidgen; The Physicality of Here and Now: Place and Time in Robert Smithson's Works / Annika Schlitte; Run: The Poetic Use of the Moving Body in Contemporary Time-Based Practices / Meg R. Jackson; ""Whatever I Photograph, I Always Lose"": Images of Death and Configurations of Time in ""Peeping Tom"" and ""Vacancy"" / Meg R. Jackson; V. Seizing Motion-Comprehending Time. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Language |
English summaries. |
| Subject |
Motion in art.
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Motion in art. |
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Motion perception (Vision)
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Motion perception (Vision) |
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ART -- General. |
| Genre/Form |
Electronic books.
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| Added Author |
Zimmermann, Michael F., editor.
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| Added Title |
Streams of sensation and configurations of time |
| Other Form: |
Print version: Vision in motion : streams of sensation and configurations of time. Zurich, [Switzerland] : Diaphanes, ©2016 656 pages 9783037345221 |
| ISBN |
9783037349076 (electronic book) |
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3037349077 (electronic book) |
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3037345225 |
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9783037345221 |
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