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LEADER 00000cam a2200661 i 4500 
001    on1126350961 
003    OCoLC 
005    20220114043859.0 
006    m     o  d         
007    cr cnu---unuuu 
008    191029s2020    nyua    ob    001 0 eng   
010      2019049096 
019    1155164499|a1159125493 
020    9781438478593|qelectronic book 
020    1438478593|qelectronic book 
020    |z9781438478579|qhardcover 
020    |z1438478577|qhardcover 
035    (OCoLC)1126350961|z(OCoLC)1155164499|z(OCoLC)1159125493 
040    DLC|beng|erda|cDLC|dOCLCQ|dOCLCF|dOCLCO|dN$T|dYDX|dEBLCP
       |dDLC|dUKAHL|dOCLCO 
042    pcc 
043    n-us--- 
049    RIDW 
050 04 BH221.U5|bA48 2020 
082 00 111/.850973|223 
090    BH221.U5|bA48 2020 
245 00 American aesthetics :|btheory and practice /|cedited by 
       Walter B. Gulick and Gary Slater. 
264  1 Albany :|bState University of New York Press,|c[2020] 
300    1 online resource (xiii, 414 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  SUNY series in American philosophy and cultural thought 
504    Includes bibliographical references and index. 
505 0  Intro -- Contents -- List of Illustrations -- Preface -- 
       Acknowledgments -- I. Introduction -- 1. Toward an 
       American Aesthetics -- Aesthetics-A Definition -- The 
       American Background -- Classic American Philosophers -- 
       The Kantian Framework and First Domain of Aesthetic 
       Judgment -- The Second Domain of Aesthetic Judgment -- The
       Third Domain of Aesthetic Judgment -- The Felt Aspect of 
       Aesthetic Judgment -- Characteristics of American 
       Aesthetics -- New Criticism as Overly Constrained -- High-
       Art Analysis -- Postmodernism -- Conclusion -- Notes 
505 8  II. Philosophical Contributions to American Aesthetics 
       from the Past -- 2 The Primacy of Aesthetic Judgments: 
       Emerson's Deontological-Transcendentalist Account of 
       Tragedy -- Introduction -- Emerson's Tragic Sense -- 
       Terror and Tragedy in the Twenty-first Century -- Tragedy 
       after Emerson? -- Notes -- 3 Peirce and Edwards on the 
       Argument from Beauty -- I -- II -- III -- IV -- Notes -- 4
       A Semeiotic Account of Paintings as Pure Icons that 
       Communicate Beautiful Feelings -- Paintings as Pure Icons 
       Interpretable Via Emotional Interpretants 
505 8  The Process of Painting and the Endowment of Paintings 
       with Beautiful Feelings -- Beautiful Paintings and the 
       Norms that Ground Aesthetic Inquiry -- Notes -- 5 The 
       Pragmatist Aesthetics of William James -- II -- III -- IV 
       -- Notes -- 6 Between Nature and Art: Some Analytical 
       Exemplifications of Dewey's Aesthetics -- Nature as Matrix
       and Medium -- The Scroll and the Smile: Experience Has No 
       Edges -- Paradigms of Painting: On Representation, 
       Expression, and Abstraction -- Shaping Nature: Qualities 
       of Space-Time in Art and Life -- A Final Word Connecting 
       Us to the Beginning -- Notes 
505 8  III. American Aesthetics: Contemporary Theoretical 
       Contributions -- 7 Axiological Landscape Theory: Uniting 
       Aesthetics, Ethics, and Inquiry -- Introduction -- Summary
       of the Hypothesis: Basic Answers to Basic Questions -- 
       Background: Fitness Landscapes, Axiological Pluralism, 
       Determinate Histories, Appraisal Dimensions -- Key 
       Concepts: Value, Possibility, Virtuality, Potential, 
       Landscape, Affordance, Engagement, Determination, 
       Realization, Foreclos -- Applications of Axiological 
       Landscape Theory -- Conclusion -- Notes -- 8 Experience 
       and Signs: Toward a Pragmatist Literary Criticism 
505 8  Aesthetics, Quality, Possibility -- Literature, Sensation,
       Relations -- Criticism, Theory, Philosophy -- Notes -- 9 
       Music, Time, and the Egress of Possibility -- Part I: 
       Possibility in Time and Music, and Being toward Death -- 
       Part II: Being toward Life as the Art of Being toward 
       Death -- Part III: The Hiatus as the Ground of Person -- 
       Notes -- 10 Harmony, Existence, and the Aesthetic -- 
       Harmony -- Goodness in Harmony -- Beauty and Existence in 
       Harmony -- The Situation of Appreciating Beauty -- Beauty 
       in Art -- Conclusion -- Notes 
520    "Although there are distinctly American artists-Walt 
       Whitman, Herman Melville, Grandma Moses, Thomas Hart 
       Benton, and Andy Warhol, for example-very little attention
       has been devoted to formulating any distinctively American
       characteristics of aesthetic judgment and practice. This 
       volume takes a step in this direction, presenting an 
       introductory essay on the possibility of such a distinctly
       American tradition, and a collection of essays exploring 
       particular examples from a variety of angles. Some of the 
       essays in this collection extend pragmatist and process 
       insights about the important place aesthetics has in 
       molding and assessing experience. Other essays examine the
       place of American aesthetics in relation to such 
       particular forms of art as painting, literature, music, 
       and film. Three essays attend to the aesthetic aspects of 
       a flourishing life. In each of the essays, American 
       aesthetics is understood to arise out of deeply felt 
       personal, historical, and cultural backgrounds. 
       Consequently, not only are such relatively abstract 
       notions as harmony, fit, elegance, proportion, and the 
       like involved in aesthetic judgment, but also religious, 
       political, and social factors become embroiled in 
       aesthetic discernment. Thus the ongoing pattern of 
       American aesthetics is shown to be distinguishable from 
       such other varieties of aesthetic thought as analytic 
       aesthetics, New Criticism, and postmodern approaches to 
       aesthetics"--|cProvided by publisher. 
588    Description based on online resource; title from digital 
       title page (viewed on August 07, 2020). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Aesthetics, American.|0https://id.loc.gov/authorities/
       subjects/sh85001444 
650  7 Aesthetics, American.|2fast|0https://id.worldcat.org/fast/
       798740 
655  0 Electronic books. 
655  4 Electronic books. 
700 1  Gulick, Walter B.,|d1938-|0https://id.loc.gov/authorities/
       names/n2020013026|eeditor. 
700 1  Slater, Gary,|d1983-|0https://id.loc.gov/authorities/names
       /no2014164348|eeditor. 
776 08 |iPrint version:|tAmerican aesthetics|dAlbany : State 
       University of New York Press, 2020.|z9781438478579|w(DLC) 
       2019049095 
830  0 SUNY series in American philosophy and cultural thought.
       |0https://id.loc.gov/authorities/names/no2017076408 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2478386|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20220127|cEBSCO|tEBSCOebooksacademic NEW 6019|lridw 
994    92|bRID