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LEADER 00000cam a2200757 i 4500 
001    on1089804668 
003    OCoLC 
005    20220408043943.0 
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008    190313t20192019enka    ob    001 0 eng d 
015    GBB973915|2bnb 
016 7  019368203|2Uk 
020    9781350022409|q(electronic book) 
020    1350022403|q(electronic book) 
020    9781350022379|q(pdf) 
020    1350022373|q(pdf) 
020    |z9781350022386 
020    |z1350022381 
020    |z9781350022393|q(paperback) 
020    |z135002239X|q(paperback) 
035    (OCoLC)1089804668 
037    9781350022409|bcodeMantra 
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       |dUKAHL|dOCLCQ|dOSU|dOCLCQ|dAMH|dOCLCO|dOCLCQ 
049    RIDW 
050  4 BH301.C75|bC46 2019eb 
072  7 ART|x000000|2bisacsh 
082 04 701/.03|223 
090    BH301.C75|bC46 2019eb 
100 1  Child, Danielle,|0https://id.loc.gov/authorities/names/
       no2019105276|eauthor. 
245 10 Working aesthetics :|blabour, art and capitalism /
       |cDanielle Child. 
264  1 London :|bBloomsbury Academic,|c2019. 
264  4 |c©2019 
300    1 online resource (xv, 221 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Radical aesthetics - radical art 
504    Includes bibliographical references and index. 
505 0  Introduction : labour, art and capitalism -- the 
       deskilling of the artist : Lippincott Inc. (1966-94) -- 
       Neo-liberalism and the facilitator : Mike Smith Studio 
       (1989- ) -- The artist as project manager? : Thomas 
       HIrschhorn's Bataille monument (2002) and Gramsci monument
       (2013) -- Immaterial labour : Rimini Protokoll's Call 
       Cutta in a box (2008-12) -- Affective action : Liberate 
       Tate (2010- ) -- Digital labour and capitalist 
       technologies : etoy's Toywar (1999) and Mission eternity 
       (2005- ) -- Conclusion : making work visible -- Afterword 
       : Where do we go from here? : a note on post-work 
520    "Working Aesthetics is about the relationship between art 
       and work under contemporary capitalism. Whilst labour used
       to be regarded as an unattractive subject for art, the 
       proximity of work to everyday life has subsequently 
       narrowed the gap between work and art. The artist is no 
       longer considered apart from the economic, but is heralded
       as an example of how to work in neoliberal management 
       textbooks. As work and life become obscured within the 
       contemporary period, this book asks how artistic practice 
       is affected, including those who labour for artists. 
       Through a series of case studies, Working Aesthetics 
       critically examines the moments in which labour and art 
       intersect under capitalism. When did labour disappear from
       art production, or accounts of art history? Can we 
       consider the dematerialization of art in the 1960s in 
       relation to the deskilling of work? And how has neoliberal
       management theory adopting the artist as model worker 
       affected artistic practices in the 21st century? With the 
       narrowing of work and art visible in galleries and art 
       discourse today, Working Aesthetics takes a step back to 
       ask why labour has become a valid subject for contemporary
       art, and explores what this means for aesthetic culture 
       today."--Bloomsbury Publishing 
588 0  Print version record 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Art|xEconomic aspects.|0https://id.loc.gov/authorities/
       subjects/sh2007101418 
650  0 Aesthetics|0https://id.loc.gov/authorities/subjects/
       sh85001441|xEconomic aspects.|0https://id.loc.gov/
       authorities/subjects/sh99005484 
650  0 Art|xPolitical aspects.|0https://id.loc.gov/authorities/
       subjects/sh85007495 
650  0 Art and society.|0https://id.loc.gov/authorities/subjects/
       sh85007975 
650  0 Capitalism|xSocial aspects.|0https://id.loc.gov/
       authorities/subjects/sh2008100104 
650  7 Art|xEconomic aspects.|2fast|0https://id.worldcat.org/fast
       /815231 
650  7 Aesthetics.|2fast|0https://id.worldcat.org/fast/798702 
650  7 Art|xPolitical aspects.|2fast|0https://id.worldcat.org/
       fast/815309 
650  7 Art and society.|2fast|0https://id.worldcat.org/fast/
       815432 
650  7 Capitalism|xSocial aspects.|2fast|0https://id.worldcat.org
       /fast/846453 
650  7 ART|xGeneral.|2bisacsh 
655  4 Electronic books. 
776 08 |iPrint version:|aChild, Danielle.|tWorking aesthetics.
       |dLondon : Bloomsbury Academic, 2019|z9781350022386
       |w(OCoLC)1013740635 
830  0 Radical aesthetics, radical art.|0https://id.loc.gov/
       authorities/names/no2013024079 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2047397|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20220412|cEBSCO|tEBSCOebooksacademic NEW 1529 |lridw 
994    92|bRID