| Description |
1 audio disc : digital ; 4 3/4 in. |
| Playing Time |
001654 001246 001058 001635 |
| Physical Medium |
4 3/4 in. |
| Description |
digital |
|
optical |
|
1.4 m/s |
|
digital recording |
| Note |
The 1st and 4th works are musique concrète; the 2nd work for flute, clarinet/bass clarinet, violin, violoncello, and piano; the 3rd work for alto saxophone, flute, oboe, trombone, viola, violoncello, double bass, and harp. |
| Performer |
Pat Loomis, alto saxophone (3rd work); Contemporary Group of the University of Washington; Ciro Scotto, conductor (2nd-3rd works). |
| Note |
The 1st work realized in the electro-acoustic music studios at the California Institute of the Arts. |
|
Accompanies: Perspectives of new music, v. 26 (1988). |
|
Compact disc. |
|
Program notes by the composers and Ciro Scotto (on Babbitt) ([12] p.) in container. |
| Contents |
Happily ever after : (1987) / Randolph Hostetler (16:54) -- Arie da capo : (1974) / Milton Babbitt (12:46) -- Prime : (1973) / Richard Swift (10:58) -- Pas de voix : portrait of Samuel Beckett : (1987) / Charles Amirkhanian (16:35). |
| Genre/Form |
Musique concrète.
|
|
Musique concrète.
|
| Subject |
Quintets (Piano, clarinet, flute, violin, cello)
|
|
Quintets (Piano, clarinet, flute, violin, cello) |
|
Saxophone with instrumental ensemble.
|
|
Saxophone with instrumental ensemble. |
|
Beckett, Samuel, 1906-1989 -- Songs and music.
|
|
Beckett, Samuel, 1906-1989. |
| Genre/Form |
Songs and music.
|
|
Sound recordings.
|
|
Sound recordings.
|
|
Songs.
|
|
Songs.
|
|
Music.
|
|
Music.
|
| Added Author |
Beckett, Samuel, 1906-1989.
|
|
Loomis, Pat, performer.
|
|
Scotto, Ciro, conductor.
|
|
Hostetler, Randolph, 1963-
Happily ever after.
|
|
Babbitt, Milton, 1916-2011.
Arie da capo.
|
|
Swift, Richard, 1927-2003.
Prime.
|
|
Amirkhanian, Charles.
Pas de voix.
|
|
University of Washington. Contemporary Group, performer.
|
|
California Institute of the Arts.
|
| Added Title |
Hostetler, Babbitt, Swift, Amirkhanian |
|
Portrait of Samuel Beckett.
|
| Music No. |
PNM 26 Perspectives of New Music |
|
