Description |
1 online resource (203 pages) |
Physical Medium |
polychrome |
Description |
text file |
Bibliography |
Includes bibliographical references (pages 182-186) and index. |
Contents |
Book Cover; Half Title; Title; Copyright; Contents; Acknowledgments; 1. Crack in the Wall; 2. Once Pain and Hunger Have Been Removed; 3. Irony to Some, Theft to Others; 4. White Boss in a Black Industry; 5. Armed to the Teeth; 6. Furthest from the Money; 7. Back to the Holy Waters; 8. Rejecting It, Living Up To It; 9. Infant Icon; 10. Your Name Is; 11. Brothers and Others; 12. America's Paradox; Bibliography; Index. |
Summary |
Using detailed studies of the marketing of Motown, Michael Jackson and the artist formerly known as Prince, Cashmore explores how black culture has been converted into a commodity, usually in the interests of white owned corporations. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
African Americans -- Race identity.
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African Americans -- Race identity. |
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Racism -- United States -- History -- 20th century.
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Racism. |
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United States. |
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History. |
Chronological Term |
20th century |
Subject |
African American arts.
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African American arts. |
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African Americans in mass media.
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African Americans in mass media. |
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United States -- Race relations.
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Race relations. |
Chronological Term |
1900 - 1999 |
Genre/Form |
Electronic books.
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History.
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Subject |
Racism. |
Other Form: |
Print version: Cashmore, Ernest. Black culture industry. London ; New York : Routledge, 1997 0415120829 0415120837 (DLC) 96048116 (OCoLC)35808394 |
ISBN |
0203132041 (electronic book) |
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9780203132043 (electronic book) |
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9780415120821 |
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0415120829 |
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9780415120838 (paperback) |
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0415120837 (paperback) |
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0415120829 |
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0415120837 (paperback) |
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