| Description |
1 online resource (268) |
|
text file |
| Summary |
Focusing on the 1990s, when debates over voice and representation were particularly explosive, McCall investigates a wide range of "told-to" narratives that have shaped the struggle for Aboriginal rights in Canada, and asks what is at stake in crafting a politics and ethics of collaboration. |
| Contents |
1. 'Where Is the Voice Coming From?': Appropriations and Subversions of the 'Native Voice' -- 2. Coming to Voice the North: The Mackenzie Valley Pipeline Inquiry and the Works of Hugh Brody -- 3. 'There Is a Time Bomb in Canada': The Legacy of the Oka Crisis -- 4. 'My Story Is a Gift': The Royal Commission on Aboriginal Peoples and the Politics of Reconciliation -- 5. 'What The Map Cuts Up, the Story Cuts Across': Translating Oral Traditions and Aboriginal Land Title -- 6. 'I Can Only Sing This Song to Someone Who Understands It': Community Filmmaking and the Politics of Partial Translation -- Conclusion: Collaborative Authorship and Literary Sovereignty. |
| Bibliography |
Includes bibliographical references (pages 230-245) and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Intercultural communication -- Canada.
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Intercultural communication. |
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Canada. |
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Authorship -- Collaboration.
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Authorship -- Collaboration. |
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Oral tradition -- Canada.
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Native peoples -- Canada -- Communication. |
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Native peoples -- Canada -- Ethnic identity. |
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Oral tradition. |
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HISTORY -- Canada -- General. |
| Added Author |
McCall, Sophie. |
| ISBN |
9780774819794 |
|
0774819790 |
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9780774819817 (e-book) |
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0774819812 |
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