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001    ocn912309759 
003    OCoLC 
005    20181019033830.6 
006    m     o  d         
007    cr cn||||||||| 
008    131231s2012    sa ab   ob    001 0 eng d 
010    |z  2012526426 
019    913334670|a1016844619|a1055405476 
020    9781868145980|q(electronic book) 
020    1868145980|q(electronic book) 
020    9781868148073|q(electronic book) 
020    1868148076|q(electronic book) 
020    |z9781868145454|q(print) 
020    |z186814545X 
035    (OCoLC)912309759|z(OCoLC)913334670|z(OCoLC)1016844619
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037    600669F9-15B1-4A34-AE14-DE48C16E346E|bOverDrive, Inc.
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245 00 Working with rock art :|brecording, presenting and 
       understanding rock art using indigenous knowledge /
       |cedited by Benjamin W. Smith, Knut Helskog, David Morris.
264  1 Johannesburg, South Africa :|bWits University Press,
       |c2012. 
300    1 online resource (332 pages) :|billustrations, maps. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Rock Art Research Institute monograph series ;|v4 
504    Includes bibliographical references and index. 
505 0  Cover; Half-title; Title; Copyright; Contents; Foreword; 
       Acknowledgements; Contributors; PART 1: ON DOCUMENTING 
       ROCK ART; Chapter 1. Rock art management: Juggling with 
       paradoxes and compromises, and how to live with them; The 
       problem; What do we manage when managing rock art?; The 
       relationship between research and management; Case: 
       Tamgaly, Kazakhstan; Interaction: Documentation, research 
       and management; The problem revisited; References; Chapter
       2. Expressing intangibles: A recording experience with /
       Xam rock engravings; Introduction; Ways of recording rock 
       engravings; Narrative recording. 
505 8  Rock art and visual anthropologyPossibilities and 
       limitations; Acknowledgements; References; Chapter 3. 
       Aspects of documentation for conservation purposes 
       exemplified by rock art; Introduction; Part 1: Initial 
       remarks on conservation; Part 2: Some aspects of rock art 
       conservation; References; Chapter 4. The position of rock 
       art: A consideration of how GIS can contribute to the 
       understanding of the age and authorship of rock art; 
       Introduction; Large-scale analysis of horizontal 
       patterning; Small-scale analysis of vertical patterning; 
       Discussion; Conclusion; References. 
505 8  Chapter 5. Rock art in context: Theoretical aspects of 
       pragmatic data collectionsContext and basic human needs; 
       The context of rock art; The Brandberg/Daureb case study; 
       Conclusion; Notes; References; Chapter 6. Representing 
       southern African San rock art: A move towards 
       digitisation; Introduction; A history of southern African 
       San rock art representation; The 'scientific' approach; 
       The socially negotiated approach; Storm Shelter, Maclear 
       District Southeastern South Africa: A case study; Is 
       digital the answer?; Discussion and conclusion; Notes; 
       References. 
505 8  Chapter 7. The routine of documentationIntroduction; The 
       many sides of documentation; Conclusion; Acknowledgements;
       References; Chapter 8. Prehistoric explorations in rock: 
       Investigations beneath and beyond engraved surfaces; 
       Introduction; Inward and outward perspectives; 
       Involvements in rock; The depths of rock; The empirical 
       aspect; Conclusion; References; PART 2: ON UNDERSTANDING 
       ROCK ART USING INDIGENOUS KNOWLEDGE; Chapter 9. Politics, 
       ethnography and prehistory: In search of an 'informed' 
       approach to Finnish and Karelian rock art; Introduction. 
505 8  The rock art region and local ethnohistorical 
       sourcesAnalogical reasoning in archaeology; 'Bridging 
       arguments' for an informed approach to Finnish-Karelian 
       rock art; Uralic bird-mythology and the engravings of Lake
       Onega; Looking back: Finnish archaeology, nationalism and 
       The Kalevala; Russian and Soviet archaeology: From 
       dogmatic Marxism to ethnographically inspired research; 
       Conclusions: Ethnography, politics and the 'informed' 
       approach; Acknowledgements; Notes; References; Chapter 10.
       Ethnography and history: The significance of social change
       in interpreting rock art; Introduction; Analogy. 
520    This volume contains cutting edge contributions that 
       consider new approaches to three areas: the documentation 
       of rock art; its interpretation using indigenous 
       knowledge; and the presentation of rock art. Working with 
       Rock Art is the first edited volume to consider each of 
       these areas in a theoretical rather than a technical 
       fashion, and it therefore makes a significant contribution
       to the discipline. The volume aims to promote the sharing 
       of new experiences between leading researchers in the 
       field. While the geographic focus is truly global, there 
       is a dominant north-south axis with strong representation 
       from researchers in southern Africa and northern Europe, 
       two leading centres for new approaches in rock art 
       research. Working with Rock Art opens up a long overdue 
       dialogue about shared experiences between these two 
       centres, and a number of the chapters are the first 
       published results of new collaborative research--Internet.
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Rock paintings.|0https://id.loc.gov/authorities/subjects/
       sh85114683 
650  0 Rock paintings|0https://id.loc.gov/authorities/subjects/
       sh85114683|xDocumentation.|0https://id.loc.gov/authorities
       /subjects/sh99005687 
650  0 Interpretation (Philosophy) in art.|0https://id.loc.gov/
       authorities/subjects/sh97000903 
650  0 Art, Prehistoric.|0https://id.loc.gov/authorities/subjects
       /sh85007853 
650  7 Rock paintings.|2fast|0https://id.worldcat.org/fast/
       1099256 
650  7 Documentation.|2fast|0https://id.worldcat.org/fast/896108 
650  7 Interpretation (Philosophy) in art.|2fast|0https://
       id.worldcat.org/fast/977463 
650  7 Art, Prehistoric.|2fast|0https://id.worldcat.org/fast/
       816761 
655  4 Electronic books. 
700 1  Smith, Benjamin,|d1969-|0https://id.loc.gov/authorities/
       names/nb98037088|eeditor. 
700 1  Helskog, Knut Arne,|d1944-|0https://id.loc.gov/authorities
       /names/n89639967|eeditor. 
700 1  Morris, David,|d1957-|0https://id.loc.gov/authorities/
       names/no2009094490|eeditor. 
776 08 |iPrint version:|aSmith, Benjamin.|tWorking with Rock Art 
       : Recording, Presenting and Understanding Rock Art Using 
       Indigenous Knowledge.|dChicago : Wits University Press, 
       ©2014|z9781868145454 
830  0 RARI monograph ;|0https://id.loc.gov/authorities/names/
       no2009150355|v4. 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1900187|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d2081105|cEBSCO|tEBSCOebooksacademic NEW 10-19-18 1324 
       |lridw 
994    92|bRID