| Description |
1 score (2 volumes) ; 27 cm |
|
score |
| Note |
For 1-5 voices, with or without accompaniment |
|
English, Latin, German, Italian or French words with English translations; selections generally edition for performance in English. |
| Contents |
Vol. 1. Melodic and harmonic songs. Melody. The hundred and fiftieth Psalm -- Aeterne rerum conditor -- A solis ortus cardine -- Vexilla regis prodeunt -- Requiem aeternam -- Kyrie -- Gloria -- Christus factus est -- Alleluia, justus germinabit -- Victimae paschali laudes -- Custodi me -- Sanctus -- Agnus Dei -- Quinque prudentes virgines -- Al expirar el agonizante -- Tantum ergo -- Orientis partibus -- At the coming of spring -- Birdlings sweet did sing -- Nightingales sing sweet -- Romance -- Lai -- O Thou great God -- Praise to thee -- A mighty fortress is our God -- Psalm 121 -- Greensleeves -- The hunt is up -- It was a lover and his lass -- Robin Hood and the tanner -- Pretty Polly Oliver -- Searching for lambs -- As I gaed down the waterside -- The dowie dens of Yarrow -- An auld man he courted me -- Shule agra -- The Irishman -- The wind that shakes the barley -- Canto dei gondolieri -- Ninna nanna (anagni) -- Song of the fugitives -- The bells of Novgorod -- He's gone away -- The blackbird and the crow -- John Riley -- La primavera -- The lone prairee -- The old Chisholm trail -- The shanty boy and the farmer's son -- The shuffling chant -- Shenandoah -- The story of Norah -- Li'l boy name David. |
|
Vol. 1. Melodic and harmonic songs. Harmony. Credo / Machaut -- Ave Mater, o Maria / Wolkenstein -- Communio, from Dominica III / Isaac -- Lauda Sion salvatorem -- The unwise man / Goudimel -- Madrigal / Willaert -- Our Savior, bless the food / Le Jeune -- Canst thou say the Ave / di Lasso -- Your dancing fills my heart with joy / Guillaume Costeley -- Villanella alla napolitana / Donati -- Look, mistress mine / Pilkington -- Noel / du Caurroy -- Psalm 122 / Farnaby -- Madrigal / Morley -- Away with these self-loving lads / Dowland -- Eros, for thy reward / Monteverde -- Kyrie / Tomkins -- Since Robin Hood / Weelkes -- It is enough / Buxtehude -- Seamen's chorus (Les fêtes d'Hébé) / Rameau -- Now come, all ye people / Niedt -- Choral / J.S. Bach -- Elegiac song, op. 118 / Beethoven -- Psalm 32 / early American, harmonized by R. Harris -- Chorus of the angels (from Goethe's Faust) / Schubert -- Anthem : O magnify the Lord with me / early American -- The sower / Brahms -- Sixty-seventh Psalm / Charles Ives -- O mistress mine / Berkeley -- Psalm XXIII : My shepherd will supply my need / Thomson -- Ave Maria / Stringham -- That's the idea of freedom (finale from The second hurricane) / Copland. |
|
Vol. 2. Contrapuntal songs. Sumer is icumen in -- Ballad / Landino -- Quam pulchra es / Dunstable -- La belle se siet / Dufay -- Amours merchi / Binchois -- Kyrie (from the Mass L'homme armé) / Ockeghem -- Ecce Maria genuit / des Pres -- Rex amabilis / Taverner -- Euge caeli porta / Tallis -- O Lord, I pray / Senffel -- Agnus Dei (from the Mass Ecce sacerdos magnus / Palestrina -- Madrigal / di Lasso -- Kyrie (from Mass Quam pulchri sunt) / de Victoria -- Sanctus (Mass from Tudor church music) / Byrd -- Crucifixus (from Mass I) / Hassler -- Canzonet / Morley -- Change me, O heavens, into the ruby stone ; Away! Thou shalt not love / Wilbye -- Silver swan (round) ; Ah, dear heart, why do you rise? / Gibbons -- New oysters -- With drooping wings (from Dido and Aeneas) / Purcell -- Three Oxford cries / Hayes -- Kyrie (from Mass VII) / Lotti -- O God, from heaven look Thou down (fuga) / J. S. Bach -- Thou shalt give him everlasting felicity / Handel -- Sorrow ; Courageous soul / Haydn -- Justum deduxit Dominus (Motette) / Mozart -- Morning song / Brahms -- L'èl üselin del basco / Mortari -- Song of an old fisherman / Lockwood -- Johnny comes marching home / arr. R. Harris. |
| Genre/Form |
Songs.
|
|
Songs.
|
|
School songbooks.
|
|
Part songs.
|
|
Part songs.
|
|
Scores.
|
|
Scores.
|
| Added Author |
Harris, Roy, 1898-1979.
|
|
Evanson, Jacob A. (Jacob Arthur), 1899-1994.
|
|
