| Description |
xiv, 236 pages ; 24 cm. |
| Series |
Ashgate interdisciplinary studies in opera
|
|
Ashgate interdisciplinary studies in opera.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Parisian grand opera at the Basel Theater auf dem Blömlein: traces of transnational circulation, translation and reception / Laura Moeckli -- Grand opera in nineteenth-century Stockholm: court celebrations and bourgeois entertainment / Karin Hallgren -- Cockneys in a fever: Gustave in London, 1833 / Sarah Hibberd -- Masking the masked ball: Auber's Gustave III as Die Ballnacht at the Weimar court theatre, 1836 / Carolin Hauck -- Halévy's La juive in Stockholm, 1866 / Owe Ander -- Sympathy for the devil?: Bertram (Robert de diable) in Copenhagen, 1833 / Jens Hesselager -- Fenella (La muette de Portici) and Valentine (Les huguenots) as symbols of national identity in Helsinki, 1877 / Ulla-Britta Broman-Kananen -- Staging anti-Semitic stereotypes: Wäinö Sola's Eléazar at the Finnish opera, 1925 / Anne Kauppala -- In search of the national: nineteenth-century Portuguese composers and their first approaches to grand opera / Luisa Cymbron -- Conflicting ethnicities on the Russian imperial stage: the case of Otto Dütsch's The Croatian girl / Emanuele Bonomi -- Meyerbeer on the zarzuela stage: El dúo de "La Africana" by Manuel Fernández Caballero / Carlos María Solare. |
| Subject |
Opera -- 19th century.
|
|
Opera. |
| Chronological Term |
19th century |
|
1800-1899 |
| Added Author |
Hesselager, Jens, editor.
|
| ISBN |
9781138202016 hardback |
|
1138202010 hardback |
|
9781315466453 electronic book |
|
