| Description |
xi, 169 pages ; 23 cm. |
| Series |
Black sacred music : a journal of theomusicology ; v. 3, no. 2
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|
Black sacred music ; v. 3, no. 2.
|
| Note |
"A special issue of Black sacred music : a journal of theomusicology." |
| Bibliography |
Includes bibliographical references (pages 159-161). |
| Note |
Includes index. |
| Contents |
Preface / Jon Michael Spencer -- Introduction / John Michael Spencer. I. Philosophical prolegomena to theomusicological thematizing of the nonsacred. II. God in secular music culture -- Improvisation, individuation, and immanence / Hugh J. Roberts -- The theology of Black power and Black song / Earlston E. DeSilva -- The theology of "sexual healing" / Orea Jones -- The prophetic character of Black secular music / Harold Dean Trulear -- The last soul singer in America / Alton B. Pollard -- A postmodern Afro-American secular spirituality / Michael Eric Dyson -- Prophecy, eroticism, and apocalypticism in popular music / Richard E. Wimberley -- Religion, rock, and eroticism / Alton B. Pollard -- Rap, race, and reality / Michael Eric Dyson. -- Conclusion / Jon Michael Spencer. |
| Subject |
Music -- United States -- Religious aspects.
|
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Music. |
|
United States. |
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African Americans -- Music -- History and criticism.
|
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African Americans -- Music. |
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Popular music -- United States -- Religious aspects.
|
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Popular music. |
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Rock music -- United States -- Religious aspects.
|
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Rock music. |
| Added Author |
Spencer, Jon Michael.
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