LEADER 00000cam a2200481 a 4500 001 ocn756200236 005 20120626111834.0 008 111004s2012 enk b 001 0 eng 010 2011041744 016 7 015864668|2Uk 020 9780521763028|qhardback 020 0521763029|qhardback 020 9780521746472|qpaperback 020 0521746477|qpaperback 035 (OCoLC)ocn756200236 035 (OCoLC)756200236 035 564756 040 DLC|beng|cDLC|dYDX|dYDXCP|dBTCTA|dUKMGB 042 pcc 049 WCHA 050 00 ML1700|b.C195 2012 082 00 782.1|223 090 ML 1700|b.C367 O7 100 1 Cannon, Robert,|d1947-|0https://id.loc.gov/authorities/ names/n2011069792 245 10 Opera /|cRobert Cannon. 264 1 Cambridge, UK ;|aNew York :|bCambridge University Press, |c2012. 300 xvii, 431 pages ;|c25 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Cambridge introductions to music 504 Includes bibliographical references and index. 505 Part I: The seventeenth and eighteenth centuries. Pre- operatic forms ; First operatic forms ; Formalisation ; Reform: the reintegration of elements ; Comedy and the 'real world' ; Authentic performance -- Part II: The nineteenth century. Romanticism and Romantic opera in Germany ; Opera in nineteenth-century Italy ; Grand opera and the visual language of opera ; The Wagnerian revolution ; Nationalists: vernacular language and music ; The role of the singer -- Part III: The twentieth and twenty-first centuries. The turn of the century and the crisis in opera ; First modernism: symbolist and expressionist opera ; The dramaturgy of opera: libretto- words and structures ; Narrative opera: realist and non- realistic ; Radical narratives ; Directors and the direction of opera. 650 0 Opera.|0https://id.loc.gov/authorities/subjects/sh85094900 650 7 Opera.|2fast|0https://id.worldcat.org/fast/1046145 830 0 Cambridge introductions to music.|0https://id.loc.gov/ authorities/names/no2009003922 901 MARCIVE 20231220 935 564756 948 1205|bff 994 C0|bWCH
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