LEADER 00000cam a2200541 a 4500
001 ocm50271346
005 20090717165107.0
008 030205s2002 enkag b 001 0 eng
010 2003268355
015 GBA2-V9561
019 51033944
020 0521818702
035 (OCoLC)ocm50271346
035 373815
040 UKM|beng|cUKM|dDLC|dC#P|dBOS|dIOJ|dWCH
042 lccopycat
049 WCHA
050 00 ML172|b.L483 2002
090 ML172|b.L44 2002
100 1 Leech-Wilkinson, Daniel.|0https://id.loc.gov/authorities/
names/n88200988
245 14 The modern invention of medieval music :|bscholarship,
ideology, performance /|cDaniel Leech-Wilkinson.
264 1 Cambridge ;|aNew York, N.Y. :|bCambridge University Press,
|c2002.
300 xi, 335 pages :|billustration, music ;|c24 cm.
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Musical performance and reception
504 Includes bibliographical references (pages 301-322) and
index.
505 0 Invention of the voices-and-instruments hypothesis -- Re-
invention of the a cappella hypothesis -- Hearing medieval
harmonies -- Evidence, interpretation, power and
persuasion.
648 7 500-1400|2fast
648 7 To 1500|2fast
648 7 20th century|2fast
650 0 Music|y500-1400|xHistory and criticism.|0https://
id.loc.gov/authorities/subjects/sh2008108086
650 0 Performance practice (Music)|xHistory|yTo 1500.|0https://
id.loc.gov/authorities/subjects/sh89003983
650 0 Performance practice (Music)|xHistory|y20th century.
|0https://id.loc.gov/authorities/subjects/sh89003988
650 7 Music.|2fast|0https://id.worldcat.org/fast/1030269
650 7 Performance practice (Music)|2fast|0https://
id.worldcat.org/fast/1057874
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
830 0 Musical performance and reception.|0https://id.loc.gov/
authorities/names/n2002071372
856 41 |3Sample text|uhttp://www.loc.gov/catdir/samples/cam034/
2003268355.html
856 41 |3Table of contents|uhttp://www.loc.gov/catdir/toc/cam031/
2003268355.html
856 42 |3Publisher description|uhttp://www.loc.gov/catdir/
description/cam032/2003268355.html
901 MARCIVE 20231220
935 373815
994 E0|bWCH
