| Description |
xiii, 282 pages, 24 pages of plates : illustrations, music ; 26 cm |
| Note |
"The papers ... represent the proceedings of a conference on early music performance that was held in New York in the autumn of 1981 as part of the activities of a new Center for Early Music at New York University"--Preface. |
|
Includes index. |
| Contents |
Fifteenth-century northern book painting and the a capella question: an essay in iconographic method / James W. McKinnon -- The visualization of music through pictorial imagery and notation in late mediaeval France / Tilman Seebass -- The trecento harp / Howard Mayer Brown -- The 'reconstruction' of instrumental music: the interpretation of the earliest practical sources / Wulf Arlt -- Minesis and woodwind articulation in the fourteenth century / Margaret Paine Hasselman and David McGown -- Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows -- The performing ensemble for English church polyphony, c. 1320-c. 1390 / Roger Bowers -- Some evidence for French influence in northern Italy, c. 1400 / Anne Hallmark -- Parts with words and without words: the evidence for multiple texts in fifteenth-century Masses / Alejandro Enrique Planchart -- Fourteenth-century music with texts revealing performance practice / Ursula Günther. |
| Genre/Form |
Music.
|
|
Music.
|
| Subject |
Music -- 500-1400 -- History and criticism.
|
|
Music. |
| Chronological Term |
500-1400 |
| Subject |
Music -- 15th century -- History and criticism.
|
| Chronological Term |
15th century |
| Subject |
Music -- Performance -- History.
|
|
Music -- Performance. |
|
History. |
| Genre/Form |
Conference papers and proceedings.
|
|
Conference papers and proceedings.
|
| Added Author |
Boorman, Stanley, 1939-
|
| ISBN |
0521248191 : $49.00 |
|
