Includes bibliographical references (pages 207-218) and index.
Contents
Cultural context for the chanson mass / M. Jennifer Bloxam --Ockeghem and intertextuality : a composer interprets himself / Murray Steib -- The illusion of allusion / Jenny Hodgson -- Interpreting and dating Josquin's Missa Hercules dux ferrariae / Christopher Reynolds -- Habsburg-Burgundian manuscripts, borrowed material, and the practice of naming / Honey Meconi -- Aspects of musical borrowing in the polyphonic Missa de feria of the fifteenth and sixteenth centuries / Andrew H. Weaver -- Mid-sixteenth-century chanson masses : a kaleidoscopic process / Cathy Ann Elias -- Melodic citation in the sixteenth-century motet / Michele Fromson.
Summary
This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music.
Local Note
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