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001    ocn890107302 
003    OCoLC 
005    20181127091822.0 
008    140828t20152015enkag    b    001 0 eng   
010      2014034794 
015    GBB573710|2bnb 
016 7  017389918|2Uk 
020    9781107015241|q(hardback) 
020    1107015243|q(hardback) 
024 3  9781107015241 
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050 00 ML172|b.C33 2015 
090    ML172|b.C145 2015 
245 04 The Cambridge history of fifteenth-century music /|cedited
       by Anna Maria Busse Berger and Jesse Rodin. 
264  1 Cambridge, UK ;|aNew York :|bCambridge University Press,
       |c2015. 
264  4 |c©2015 
300    xxxv, 875 pages :|billustrations, music ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  The Cambridge history of music 
504    Includes bibliographical references and index. 
505 0  Part I. Historiography: Listening -- 1. Hearing Josquin 
       hearing Busnoys / Michael Long -- 2. Religion and the 
       senses in fifteenth-century Europe / Klaus Pietschmann -- 
       Terms and Concepts -- 3. The work concept / Laurenz 
       Lütteken -- 4. The L'homme armé tradition - and the limits
       of musical borrowing / Jesse Rodin -- Composer Studies -- 
       5. Guillaume Du Fay: evidence and interpretation / 
       Alejandro Enrique Planchart -- 6. Jean d'Ockeghem / 
       Lawrence F. Bernstein -- 7. Josquin and epistemology / 
       Jesse Rodin -- Part II. Improvisation and Composition -- 
       8. Oral composition in fifteenth-century music / Anna 
       Maria Busse Berger -- 9. Improvisation as concept and 
       musical practice in the fifteenth century / Philippe 
       Canguilhem -- 10. How did Oswald von Wolkenstein make his 
       contrafacta/ Anna Maria Busse Berger -- 11. Making a motet
       : Josquin's Ave Maria&virgo serena / John Milsom -- 12. 
       The origins of pervasive imitation / Julie E. Cumming and 
       Peter Schubert -- Part III. Humanism -- 13. Humanism and 
       music in Italy / James Hankins -- 14. Fifteenth-century 
       humanism and music outside Italy / Reinhard Strohm -- 15. 
       Poetic humanism and music in the fifteenth century / 
       Leofranc Holford-Strevens -- 16. Canterino and 
       Improvvisatore: oral poetry and performance / Blake Wilson
       -- 17. Liturgical Humanism: saints' offices from the 
       Italian peninsula in the fifteenth century / Alison K. 
       Frazier -- Part IV. Music and Other Arts -- 18. 
       Architecture and music in fifteenth-century Italy / 
       Deborah Howard -- 19. Music and feasts in the fifteenth 
       century / Anthony M. Cummings -- 20. French lyrics and 
       songs for the New Year, c.1380-1420 / Yolanda Plumley -- 
       Part V. Music in Churches, Courts, and Cities -- 21. 
       Musical institutions in the fifteenth century and their 
       political contexts / Klaus Pietschmann -- 22. Music and 
       musicians at the Burgundian court in the fifteenth century
       / David Fiala -- 23. The papal chapel in the late 
       fifteenth century / Richard Sherr -- 24. The beneficial 
       system and fifteenth-century polyphony / Pamela F. Starr -
       - 25. Professional women singers in the fifteenth century:
       a tale of two Annas / Bonnie J. Blackburn -- 26. 
       Savonarola and the boys of Florence: songs and politics / 
       Patrick Macey -- Part VI. Religious Devotion and Liturgy -
       - 27. Music and ritual / M. Jennifer Bloxam -- 28. Marian 
       devotion in the fifteenth century / David J. Rothenberg --
       29. Affective literature and sacred themes in fifteenth-
       century music / Anne Walters Robertson -- Part VII. Theory
       and Practice -- 30. Measuring measurable music in the 
       fifteenth century / Anne Stone -- 31. The transformative 
       impulse / Emily Zazulia -- 32. Transformations in music 
       theory and music treatises / Evan A. MacCarthy -- Part 
       VIII. Sources -- 33. Polyphonic sources, c.1400-1450 / 
       Margaret Bent -- 34. Polyphonic sources, c.1450-1500 / 
       Thomas Schmidt-Beste -- Part IX. Genres -- 35. The 
       polyphonic mass in the fifteenth century / Andrew Kirkman 
       -- 36. The fifteenth-century motet / Laurenz Lütteken -- 
       37. Fifteenth-century song / Nicole Schwindt -- 38. 
       Instrumental music in the fifteenth century / Keith Polk -
       - 39. Sacred song in the fifteenth century: cantio, carol,
       lauda, Kirchenlied / Reinhard Strohm -- 40. Plainsong in 
       the age of polyphony / Richard Sherr -- Part X. Reception 
       -- 41. The most popular songs of the fifteenth century / 
       David Fallows -- 42. The nineteenth-century reception of 
       fifteenth-century sacred music / Andrew Kirkman -- 43. The
       modern reception of the music of Jean d'Ockeghem / 
       Lawrence F. Bernstein -- 44. Recordings of fifteenth-
       century music / Honey Meconi -- 45. Solidarity with the 
       long-departed: fifteenth-century echoes in twentieth-
       century music / Richard Taruskin. 
505 2  Historiography -- Improvisation and composition -- 
       Humanism -- Music and other arts -- Music in churches, 
       courts, and cities -- Religious devotion and liturgy -- 
       Theory and practice -- Sources -- Genres -- Reception. 
505 0  Part I. Historiography: Listening -- 1. Hearing Josquin 
       hearing Busnoys / Michael Long -- 2. Religion and the 
       senses in fifteenth-century Europe / Klaus Pietschmann -- 
       Terms and Concepts -- 3. The work concept / Laurenz 
       Lütteken -- 4. The L'homme armé tradition -- and the 
       limits of musical borrowing / Jesse Rodin -- Composer 
       Studies -- 5. Guillaume Du Fay: evidence and 
       interpretation / Alejandro Enrique Planchart -- 6. Jean 
       d'Ockeghem / Lawrence F. Bernstein -- 7. Josquin and 
       epistemology / Jesse Rodin -- Part II. Improvisation and 
       Composition -- 8. Oral composition in fifteenth-century 
       music / Anna Maria Busse Berger -- 9. Improvisation as 
       concept and musical practice in the fifteenth century / 
       Philippe Canguilhem -- 10. How did Oswald von Wolkenstein 
       make his contrafacta? / Anna Maria Busse Berger -- 11. 
       Making a motet: Josquin's Ave Maria ... virgo serena / 
       John Milsom -- 12. The origins of pervasive imitation / 
       Julie E. Cumming and Peter Schubert -- Part III. Humanism 
       -- 13. Humanism and music in Italy / James Hankins -- 14. 
       Fifteenth-century humanism and music outside Italy / 
       Reinhard Strohm -- 15. Poetic humanism and music in the 
       fifteenth century / Leofranc Holford-Strevens -- 16. 
       Canterino and Improvvisatore: oral poetry and performance 
       / Blake Wilson -- 17. Liturgical Humanism: saints' offices
       from the Italian peninsula in the fifteenth century / 
       Alison K. Frazier -- Part IV. Music and Other Arts -- 18. 
       Architecture and music in fifteenth-century Italy / 
       Deborah Howard -- 19. Music and feasts in the fifteenth 
       century / Anthony M. Cummings -- 20. French lyrics and 
       songs for the New Year, c.1380-1420 / Yolanda Plumley -- 
       Part V. Music in Churches, Courts, and Cities -- 21. 
       Musical institutions in the fifteenth century and their 
       political contexts / Klaus Pietschmann -- 22. Music and 
       musicians at the Burgundian court in the fifteenth century
       / David Fiala -- 23. The papal chapel in the late 
       fifteenth century / Richard Sherr -- 24. The beneficial 
       system and fifteenth-century polyphony / Pamela F. Starr -
       - 25. Professional women singers in the fifteenth century:
       a tale of two Annas / Bonnie J. Blackburn -- 26. 
       Savonarola and the boys of Florence: songs and politics / 
       Patrick Macey -- Part VI. Religious Devotion and Liturgy -
       - 27. Music and ritual / M. Jennifer Bloxam -- 28. Marian 
       devotion in the fifteenth century / David J. Rothenberg --
       29. Affective literature and sacred themes in fifteenth-
       century music / Anne Walters Robertson -- Part VII. Theory
       and Practice -- 30. Measuring measurable music in the 
       fifteenth century / Anne Stone -- 31. The transformative 
       impulse / Emily Zazulia -- 32. Transformations in music 
       theory and music treatises / Evan A. MacCarthy -- Part 
       VIII. Sources -- 33. Polyphonic sources, c.1400-1450 / 
       Margaret Bent -- 34. Polyphonic sources, c.1450-1500 / 
       Thomas Schmidt-Beste -- Part IX. Genres -- 35. The 
       polyphonic mass in the fifteenth century / Andrew Kirkman 
       -- 36. The fifteenth-century motet / Laurenz Lütteken -- 
       37. Fifteenth-century song / Nicole Schwindt -- 38. 
       Instrumental music in the fifteenth century / Keith Polk -
       - 39. Sacred song in the fifteenth century: cantio, carol,
       lauda, Kirchenlied / Reinhard Strohm -- 40. Plainsong in 
       the age of polyphony / Richard Sherr -- Part X. Reception 
       -- 41. The most popular songs of the fifteenth century / 
       David Fallows -- 42. The nineteenth-century reception of 
       fifteenth-century sacred music / Andrew Kirkman -- 43. The
       modern reception of the music of Jean d'Ockeghem / 
       Lawrence F. Bernstein -- 44. Recordings of fifteenth-
       century music / Honey Meconi -- 45. Solidarity with the 
       long-departed: fifteenth-century echoes in twentieth-
       century music / Richard Taruskin. 
520    Through forty-five creative and concise essays by an 
       international team of authors, this Cambridge History 
       brings the fifteenth century to life for both specialists 
       and general readers. Combining the best qualities of 
       survey texts and scholarly literature, the book offers 
       authoritative overviews of central composers, genres, and 
       musical institutions as well as new and provocative 
       reassessments of the work concept, the boundaries between 
       improvisation and composition, the practice of listening, 
       humanism, musical borrowing, and other topics. 
       Multidisciplinary studies of music and architecture, 
       feasting, poetry, politics, liturgy, and religious 
       devotion rub shoulders with studies of compositional 
       techniques, musical notation, music manuscripts, and 
       reception history. Generously illustrated with figures and
       examples, this volume paints a vibrant picture of musical 
       life in a period characterized by extraordinary innovation
       and artistic achievement [Publisher description]. 
648  7 15th century|2fast 
648  7 1400-1499|2fast 
650  0 Music|y15th century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2008108084 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
650  7 Musik.|2gnd|0(DE-588)4040802-4 
650  7 Renässansmusik.|2sao 
650  7 Music.|2eflch 
650  7 Music.|2ukslc 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
700 1  Berger, Anna Maria Busse,|0https://id.loc.gov/authorities/
       names/n92034841|eeditor. 
700 1  Rodin, Jesse,|0https://id.loc.gov/authorities/names/
       no2007132396|eeditor. 
830  0 Cambridge history of music.|0https://id.loc.gov/
       authorities/names/no99024132 
856 41 |3Table of contents|uhttp://swbplus.bsz-bw.de/
       bsz426537076inh.htm|v20150928163217 
856 41 |3Table of contents|uhttp://catdir.loc.gov/catdir/
       enhancements/fy1501/2014034794-t.html 
856 42 |3Contributor biographical information|uhttp://
       catdir.loc.gov/catdir/enhancements/fy1501/2014034794-
       b.html 
856 42 |3Publisher description|uhttp://catdir.loc.gov/catdir/
       enhancements/fy1501/2014034794-d.html 
856 42 |3The Otto E. Albrecht Memorial Fund Home Page|uhttp://
       hdl.library.upenn.edu/1017.12/366183 
901    MARCIVE 20231220 
994    C0|bWCH 
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 Talbott: Circulating Collection  ML172 .C145 2015    Available