This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general.
Contents
Hermeneutics -- Language -- Subjectivity -- Meaning -- Metaphor -- History -- Influence -- Deconstruction -- Analysis -- Resemblance -- Things -- Classical -- Modern -- Works -- Performance -- Musicology.
Local Note
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