Description |
1 online resource (xvii, 197 pages) : illustrations. |
Physical Medium |
polychrome |
Description |
text file |
Series |
Ernest Bloch lectures
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Ernest Bloch lectures.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Setting the scene : grandiose symphonics and the trouble with art -- Pessimism, ecstasy and distant voices : listening to late-romanticism -- Sunsets, sunrises and decadent oceanics -- Making the world weep (more problems with opera) -- Late romanticism meets classical music at the movies -- The bitter truth of modernism : a late-romantic story. |
Summary |
Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Music -- 19th century -- History and criticism.
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Music. |
Chronological Term |
19th century |
Subject |
Music -- Philosophy and aesthetics.
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Music -- Philosophy and aesthetics. |
Chronological Term |
1800-1899 |
Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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Electronic books.
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Other Form: |
Print version: Franklin, Peter. Reclaiming late-romantic music. Berkeley : University of California Press, [2014] 9780520280397 (DLC) 2013031179 (OCoLC)855362768 |
ISBN |
9780520958036 (electronic book) |
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0520958039 (electronic book) |
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9781306291408 (e-book) |
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1306291402 (e-book) |
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9780520280397 (cloth : alkaline paper) |
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0520280393 (cloth : alkaline paper) |
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