Skip to content
You are not logged in |Login  

LEADER 00000pam a22004934a 4500 
001    ocm52381088 
005    20090717200514.0 
008    030529s2004    enka     b    001 0 eng   
010      2003055131 
015    GBA3-T4156 
016 7  011619358|2Uk 
020    0521662567 
035    (OCoLC)ocm52381088 
035    391813 
040    DLC|beng|cDLC|dYDX|dUKM|dSYB|dMUQ 
042    pcc 
049    WCHA 
050 00 ML197|b.C26 2004 
090    ML197|b.C36 2004 
245 04 The Cambridge history of twentieth-century music /|cedited
       by Nicholas Cook and Anthony Pople. 
246 30 Twentieth-century music 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c2004. 
300    xviii, 818 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Cambridge history of music 
504    Includes bibliographical references and index. 
505 00 |gIntroduction:|ttrajectories of twentieth-century music /
       |rNicholas Cook,|rAnthony Pople --|tPeripheries and 
       interfaces: the Western impact on other music /|rJonathan 
       Stock --|tMusic of a century: museum culture and the 
       politics of subsidy /|rLeon Botstein --|tInnovation and 
       the avant-garde, 1900-20 /|rChristopher Butler --|tMusic, 
       text and stage: the tradition of bourgeois tonality to the
       Second World War /|rStephen Banfield --|tClassic jazz to 
       1945 /|rJames Lincoln Collier --|tFlirting with the 
       vernacular: America in Europe, 1900-45 /|rSusan C. Cook --
       |tBetween the wars: traditions, modernisms, and the 
       'little people from the suburbs' /|rPeter Franklin --
       |tBrave new worlds: experimentalism between the wars /
       |rDavid Nicholls --|tProclaiming a mainstream: Schoenberg,
       Berg, and Webern /|rJoseph Auner --|tRewriting the past: 
       classicisms of the inter-war period /|rHermann Danuser --
       |tMusic of seriousness and commitment: the 1930s and 
       beyond /|rMichael Walter --|tOther mainstreams: light 
       music and easy listening, 1920-70 /|rDerek B. Scott --
       |tNew beginnings: the international avant-garde, 1945-62 /
       |rDavid Osmond-Smith --|tIndividualism and accessibility: 
       the moderate mainstream, 1945-75 /|rArnold Whittall --
       |tAfter swing: modern jazz and its impact /|rMervyn Cooke 
       --|tMusic of the youth revolution: rock through the 1960s 
       /|rRobynn Stilwell --|tExpanding horizons: the 
       international avant-garde, 1962-75 /|rRichard Toop --|tTo 
       the millennium: music as twentieth-century commodity /
       |rAndrew Blake --|tAgeing of the new: the museum of 
       musical modernism /|rAlastair Williams --|t(Post-
       )minimalisms 1970-2000: the search for a new mainstream /
       |rRobert Fink --|tHistory and class consciousness: pop 
       music towards 2000 /|rDai Griffiths --|t'Art' music in a 
       cross-cultural context: the case of Africa /|rMartin 
       Scherzinger --|gAppendix 1:|tPersonalia /|rPeter Elsdon,
       |rBjörn Heile --|gAppendix 2: Chronology /|rPeter Elsdon,
       |rPeter Jones. 
648  7 20th century|2fast 
650  0 Music|y20th century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2001000180 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
700 1  Cook, Nicholas,|d1950-|0https://id.loc.gov/authorities/
       names/n86050714 
700 1  Pople, Anthony.|0https://id.loc.gov/authorities/names/
       n88284641 
830  0 Cambridge history of music.|0https://id.loc.gov/
       authorities/names/no99024132 
856 41 |3Table of contents|uhttp://www.loc.gov/catdir/toc/cam031/
       2003055131.html 
856 42 |3Publisher description|uhttp://www.loc.gov/catdir/
       description/cam032/2003055131.html 
901    MARCIVE 20231220 
910    0405rdtorderml 
935    391813 
994    E0|bWCH 
Location Call No. Status OPAC Message Public Note Gift Note
 Talbott: Circulating Collection  ML197 .C36 2004    Available  ---