| Description |
x, 396 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 373-377), discography (pages 367-371), and index. |
| Contents |
Narrative/Film/Music -- Actions/Interactions : "Classical" music -- Actions/Interactions : Historical overview -- Actions/Interactions : The source beyond the source -- Styles and interactions. Beyond the diegesis. Interlude 1 : Erich Wolfgang Korngold, The sea hawk (1940) ; Interlude 2 : Miklós Rózsa, Double indemnity (1944) ; Interlude 3 : The Eisenstein/Prokofiev phenomenon -- Herrmann, Hitchcock, and the music of the irrational -- New Styles, new genres, new interactions. Interlude 4 : Jean-Luc Godard, Vivre sa vie (1962) ; Interlude 5 : Jean-Luc Godard, Pierrot le fou (1965) -- Music as image as music : a postmodern perspective -- A brief (postmodern) conclusion -- Interviews. Miklós Rózsa ; David Raksin ; Bernard Herrmann ; Henry Mancini ; Maurice Jarre ; Lalo Schifrin ; John Barry ; Howard Shore. |
| Subject |
Motion picture music -- History and criticism.
|
|
Motion picture music. |
| ISBN |
0520085442 paperback |
|
0520083202 |
|
