| Description |
304 pages : illustrations ; 23 cm |
| Bibliography |
Includes bibliographical references (pages 271-294) and index. |
| Contents |
Introduction -- Part I. The prestige combat film. Movies and memorials ; Soundtracks and scores -- Part II. Dialogue. Soldiers' talk ; Soldiers' song ; Disembodied voices -- Part III. Sound effects. Nothing sounds like an M-16 ; Helicopter music -- Part IV. Music. Unmetered ; Metered ; Elegies ; End titles. |
| Summary |
"This book describes in detail how music and sound function as a constituent part of the prestige combat film's larger work of memorialization in the cultural realm of commercial cinema. As Rikke Schubart and Anne Gjelsvik note, historians must deal with 'the complexity of history, war, heroism, patriotism, memory, and the process of their representation.' Hymns for the Fallen traces an expressive sonic continuity in this 'process of representation' for serious war films. The three elements of the soundtrack--dialogue, sound effects, music--are treated in detail in the chapters which follow, although music proves to be of particular interest"--Provided by publisher. |
| Subject |
Film soundtracks -- History and criticism.
|
|
Film soundtracks. |
|
Motion picture music -- History and criticism.
|
|
Motion picture music. |
|
War films -- History and criticism.
|
|
War films. |
| Genre/Form |
Criticism, interpretation, etc.
|
| Other Form: |
Online version: Decker, Todd R. Hymns for the fallen. Oakland, California : University of California Press, [2017] 9780520966543 (DLC) 2016038416 |
| ISBN |
9780520282322 (cloth ; alkaline paper) |
|
0520282329 (cloth ; alkaline paper) |
|
9780520282339 (paperback ; alkaline paper) |
|
0520282337 (paperback ; alkaline paper) |
|
9780520966543 (ebook) |
| Standard No. |
40026973628 |
|
