| Description |
xii, 109 pages : portrait ; 21 cm |
| Contents |
Aims and directions of the international movement in the area of church music, by F. Hofmann.--The divine pattern for art, by M. J. Naumann.--Criteria of church music in the seventeenth and eighteenth centuries, by W. E. Buszin.--Church music as art, by O. Soehngen.--Music in the church, whose responsibility? by M. A. Bichsel.--The church music of Ralph Vaughan Williams, by R. Wienhorst.--Voice training and sound ideal as a means of musical interpretation in choral music, by W. Ehmann.--Kirnberger on dance rhythms, fugues, and characterization, by N. W. Powell.--The aesthetics of improvisation, by P. Gehring.--New perspectives in hymn accompaniment, by W. Mudde.--Perceptible trends in the conceptual theory of the modern organ, by P. G. Bunjes. |
| Subject |
Church music.
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Church music. |
| Genre/Form |
Festschriften.
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Festschriften.
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| Added Author |
Powell, Newman W. (Newman Wilson)
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Hoelty-Nickel, Theodore.
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