LEADER 00000cam a2200517 i 4500 
001    on1043962871 
003    OCoLC 
005    20190418092521.0 
008    180622t20192019enkg     b    001 0 eng   
010      2018029796 
015    GBB914438|2bnb 
016 7  019220734|2Uk 
019    1084321926 
020    9781138487741|qhardcover 
020    1138487740|qhardcover 
020    |z9781351042383|qelectronic book 
020    |z9781351042369|qelectronic publication 
020    |z9781351042376|qelectronic book 
020    |z9781351042352|qMobipocket electronic book 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dTFW|dOCLCO|dUKMGB|dERASA
       |dYDX|dWCH 
042    pcc 
049    WCHA 
050 00 ML3003|b.C69 2019 
090    ML3088|b.C665 2019 
100 1  Cook, James|c(Musicologist),|0https://id.loc.gov/
       authorities/names/n2017068036|eauthor. 
245 14 The cyclic mass :|bAnglo-continental exchange in the 
       fifteenth century /|cJames Cook. 
264  1 Abingdon, Oxon ;|aNew York, NY :|bRoutledge, Taylor & 
       Francis Group,|c2019. 
264  4 |c©2019 
300    ix, 148 pages :|bmusic ;|c25 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Royal Musical Association monographs ;|v33 
504    Includes bibliographical references and indexes. 
520 8  England in the fifteenth century was the cradle of much 
       that would have a profound impact on European music for 
       the next several hundred years. Perhaps the greatest such 
       development was the cyclic cantus firmus Mass, and 
       scholarly attention has therefore often been drawn to 
       identifying potentially English examples within the many 
       anonymous Mass cycles that survive in continental sources.
       Nonetheless, to understand English music in this period is
       to understand it within a changing nexus of two-way 
       cultural exchange with the continent, and the genre of the
       Mass cycle is very much at the forefront of this. Indeed, 
       the question of `what is English' cannot truly be answered
       without also answering the question of `what is 
       continental'. This book seeks, initially, to answer both 
       of these questions. Perhaps more importantly, it argues 
       that a number of the works that have induced the most 
       scholarly debate are best seen through the lens of 
       intensive and long-term cultural exchange and that the 
       great binary divide of provenance can, in many cases, 
       productively be broken down. A great many of these works, 
       though often written on the continent, can, it seems, only
       be understood in relation to English practice - a practice
       which has had, and will continue to have, major importance
       in the ongoing history of European Art Music. 
648  7 15th century|2fast 
648  7 1400-1499|2fast 
650  0 Mass (Music)|0https://id.loc.gov/authorities/subjects/
       sh85081852|y15th century.|0https://id.loc.gov/authorities/
       subjects/sh2002012469 
650  7 Mass (Music)|2fast|0https://id.worldcat.org/fast/1011204 
776 08 |iebook version :|z9781351042369 
830  0 Royal Musical Association monographs ;|0https://id.loc.gov
       /authorities/names/n84725200|vno. 33. 
901    MARCIVE 20231220 
994    C0|bWCH