| Description |
xvi, 195 pages ; 24 cm. |
| Series |
Music/culture
|
|
Music/culture.
|
| Bibliography |
Includes bibliographical references and index. |
| Summary |
The South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, author Katherine In-Young Lee focuses on the kinetic experience of samul nori, drawing out the concept of dynamism to show its historical, philosophical, and pedagogical dimensions. Breaking with traditional approaches to the study of world music that privilege political, economic, institutional, or ideological analytical frameworks, Lee argues that because rhythmic forms are experienced on a somatic level, they swiftly move beyond national boundaries and provide sites for cross-cultural interaction. |
| Local Note |
Gift of the Korea Foundation |
| Subject |
Samul-Nori (Musical group)
|
|
Samul-Nori (Musical group) |
|
Samul nori (Music) -- History and criticism.
|
|
Samul nori (Music) |
|
Percussion ensembles -- Korea (South) -- History and criticism.
|
|
Percussion ensembles. |
|
Korea (South) |
|
Folk music -- Korea (South) -- History and criticism.
|
|
Folk music. |
| Genre/Form |
Criticism, interpretation, etc.
|
| Other Form: |
Online version: Lee, Katherine In-Young, author. Dynamic Korea and rhythmic form Middletown, Connecticut : Wesleyan University Press, 2018 9780819577078 (DLC) 2018043996 |
| ISBN |
9780819577054 hardcover alkaline paper |
|
0819577057 hardcover alkaline paper |
|
9780819577061 paperback alkaline paper |
|
0819577065 paperback alkaline paper |
|
