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100 1  Tarasti, Eero.|0https://id.loc.gov/authorities/names/
       n79115181 
245 12 A theory of musical semiotics /|cEero Tarasti. 
264  1 Bloomington :|bIndiana University Press,|c[1994] 
264  4 |c[©1994] 
300    xvi, 328 pages :|billustrations, music ;|c25 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Advances in semiotics 
504    Includes bibliographical references (pages 313-323) and 
       index. 
505 0  Foreword / Thomas A. Sebeok -- Part 1. Theoretical 
       Background. I. In Search of a Theory. II. Musical Time. 
       III. Musical Space. IV. Musical Actors -- Part 2. 
       Analyses. V. Semiosis of the Classical Style: Beethoven's 
       "Waldstein" VI. Narrativity in Chopin. VII. Music and 
       Literature. VIII. Music and Visual Arts: Pictures and 
       Promenades - A Peircean Excursion into the Semiosis of 
       Musorgsky. IX. The Semiotics of Symphonism: A 
       Deconstruction of National Meanings in Sibelius's Fourth 
       Symphony. X. Toward the Modern Scene. 
520    Eero Tarasti advances a semiotic theory of music based on 
       information provided by the history of Western music and 
       by various sign theories. A Theory of Musical Semiotics is
       at the same time a study of music as a narrative art. It 
       analyzes musical works through the theoretical frameworks 
       of narratology and French structural semiotics, especially
       that of A. J. Greimas. Tarasti views other theories from 
       the "classical" semiotic tradition, from Saussure to 
       Peirce to Lotman, as possible foundations of musical 
       semiotics. A Theory of Musical Semiotics provides a model 
       for the semiotic analysis of both musical structure and 
       semantics. It introduces the English-language reader to 
       musical narratology, a field of inquiry that until 
       recently has remained largely the province of European 
       researchers. 
650  0 Music|xSemiotics.|0https://id.loc.gov/authorities/subjects
       /sh90001927 
650  0 Music theory.|0https://id.loc.gov/authorities/subjects/
       sh85088826 
650  0 Musical analysis.|0https://id.loc.gov/authorities/subjects
       /sh85088952 
650  6 Sémiotique et musique. 
650  6 Théorie musicale. 
650  6 Analyse musicale. 
650  7 Music|xSemiotics.|2fast|0https://id.worldcat.org/fast/
       1030442 
650  7 Music theory.|2fast|0https://id.worldcat.org/fast/1030620 
650  7 Musical analysis.|2fast|0https://id.worldcat.org/fast/
       1030696 
650 17 Muziek.|2gtt 
650 17 Semiotiek.|2gtt 
650 17 Verteltheorie.|2gtt 
830  0 Advances in semiotics.|0https://id.loc.gov/authorities/
       names/n42001249 
856 42 |yInhaltsverzeichnis|uhttp://www.gbv.de/dms/bowker/toc/
       9780253356499.pdf|mV:DE601;Bowker|3Inhaltsverzeichnis 
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