| Description |
1 online resource (202 pages). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Continuum studies in philosophy
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Continuum studies in philosophy.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. |
| Summary |
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Plato -- Criticism and interpretation.
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Plato. |
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Criticism and interpretation. |
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Music -- Philosophy and aesthetics.
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Music -- Philosophy and aesthetics. |
| Genre/Form |
Electronic books.
|
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Criticism, interpretation, etc.
|
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Electronic books.
|
| Other Form: |
Print version: Norris, Christopher, 1947- Platonism, music and the listener's share. London : Continuum, 2006 (DLC) 2007271456 |
| ISBN |
9781847144386 (electronic book) |
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1847144381 (electronic book) |
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9780826491787 |
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0826491782 |
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