| Description |
1 online resource (147 pages) |
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text file |
| Summary |
Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts. |
| Contents |
Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections. |
| Bibliography |
Includes bibliographical references. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Art and music.
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Art and music. |
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Art criticism -- 20th century.
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Art criticism. |
| Chronological Term |
20th century |
|
1900-1999 |
| Genre/Form |
Electronic books.
|
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Art criticism.
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Art criticism.
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| Other Form: |
Print version: Jurečič, Bostjan. A Study of the Parallels Between Visual Art and Music : The Big Misconception. Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2019 9781527540224 |
| ISBN |
9781527543553 |
|
1527543552 |
|
1527540227 |
|
9781527540224 |
|
