| Description |
1 online resource |
| Bibliography |
Includes bibliographical references and index. |
| Summary |
"Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett's later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer's philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett's writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalised fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both modernist music and literature of the twentieth century, John McGrath's book is a significant contribution to the field of Word and Music Studies."--Provided by publisher |
| Contents |
Chapter 1 Music and literature / John McGrath -- chapter 2 Repetition in music and literature / John McGrath -- chapter 3 Musico-literary interaction in modern Ireland and the musical aesthetic of Samuel Beckett / John McGrath -- chapter 4 Beckett's semantic fluidity -- Repetition in the later work / John McGrath -- chapter 5 Beckett and Feldman -- Time, repetition and the liminal space / John McGrath -- chapter 6 Improvising Beckett -- Chance, silence and repetition / John McGrath. |
| Biography |
John McGrath is a lecturer in Music at University of Surrey. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Beckett, Samuel, 1906-1989 -- Criticism and interpretation.
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Beckett, Samuel, 1906-1989 https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC |
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Music and literature.
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Music -- 20th century -- History and criticism.
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Repetition in literature.
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Repetition in music.
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Repetition (Rhetoric)
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MUSIC -- Genres & Styles -- Classical. |
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MUSIC -- Reference. |
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MUSIC / General |
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Repetition (Rhetoric) |
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Music |
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Music and literature |
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Repetition in literature |
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Repetition in music |
| Chronological Term |
1900-1999 |
| Genre/Form |
Criticism, interpretation, etc.
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| Other Form: |
Print version: McGrath, John (Guitarist). Samuel Beckett, repetition and modern music. Abingdon, Oxon ; New York, NY : Routledge, 2018 9781472475374 (DLC) 2017028278 (OCoLC)962234461 |
| ISBN |
9781317059646 (electronic bk.) |
|
1317059646 (electronic bk.) |
|
9781315607566 (ebook) |
|
1315607565 |
|
9781317059653 |
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1317059654 |
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9781317059639 |
|
1317059638 |
|
9781472475374 |
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1472475372 |
|
