| Description |
xi, 346 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 317-338) and index. |
| Contents |
Introduction: The Role of Criticism in Interwar Musical Culture / Christopher Moore and Barbara L. Kelly -- Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments / Michel Duchesneau -- Nostalgia and Violence in the Music Criticism of L'Action française / Christopher Moore -- Charles Koechlin: The Figure of the Expert / Philippe Cathé -- Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) / Jann Pasler -- Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France / Barbara L. Kelly -- Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) / Pascal Lécroart -- A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 / Kimberly Francis -- From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier / Caroline Rae -- Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas / Marianne Wheeldon -- The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 / Rachel Moore -- Satie, Relâche and the Press: Controversies and Legacy / Jacinthe Harbec -- Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity / Danick Trottier. |
| Summary |
This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas. |
| Subject |
Musical criticism -- France -- History -- 20th century.
|
|
Musical criticism. |
|
France. |
|
History. |
| Chronological Term |
20th century |
| Subject |
Music -- France -- 20th century -- History and criticism.
|
|
Music. |
| Chronological Term |
1900-1999 |
| Genre/Form |
Criticism, interpretation, etc.
|
| Added Author |
Kelly, Barbara L., editor.
|
|
Moore, Christopher (Musicologist), editor.
|
| ISBN |
1783272511 |
|
9781783272518 |
|
