| Description |
xxiv, 526 pages : illustrations, music ; 27 cm. |
| Series |
Music, criticism & politics ; volume 3
|
|
Music, criticism & politics ; v. 3.
|
| Note |
Product of an international conference organized by the Centro Studi Opera Omnia Luigi Boccherini and Palazzetto Bru Zane in Lucca, Italy in 2015. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Music criticism / music journalism -- Discourses -- Composers' voices. |
|
Music criticism, speech acts, and generic contracts / Katharine Ellis -- Barnun et les Romaine: critique, claque et réclame dans les 'Soirées de l'orchestre' d'Hector Berloiz / A critic's progress: Émile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the 'Revue et Gazette musicale de Paris' / Sylvia Kahan -- London's Italian opera as a topic of interest to international nineteenth-century music criticism / Ingeborg Zechner -- Speaking for whom? using opera reviews from Strasbourge (1887-1918) to clarify the problematical source character of music criticism / Jeroen van Gessel -- Graphic humour as musical criticism: cartoon and caricature in the first Wagnerian reception in Madrid / José Ignacio Suárez García -- Music in the theatres of Rio de Janiero (1890-1900): concert series, music critcism and conflicting cultural projects in the early years of the republic / Mónica Vermes -- Power of music criticism in the shaping of modern Uruguay: an analysis of the newspaper 'Montevideo Musical' / Marita Fornaro Bordolli -- Cultural biography of a musical periodical: 'Boletín Musical' (Buenos Aires, 1837) / Melanie Plesch -- Nativist rhetoric in the opera journalism on Antebellum New York City / Erin Fulton -- 1813, Vienna, and a re-print of the 'AmZ': notes on intertexuality in German music media around 1800 / Marc Ernesti -- String quartet in early nineteenth-century performance and criticism / Nancy November -- Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx / Maria Teresa Arfini -- «La musica non imita e non esprime che lo stesso sentimento in persona»: per una (mancata) teoria musicale leopardiana / Renato Ricco -- Fallen angels of music: subjectivity inearly 19th-century philosophy and the reception of virtuosity in contemporary music criticism / Žarko Cvejic -- 'Absolute' philosophy? gender, nationalism, and Jewishness in Eduard Hanslick's formalism / Michael B. Ward -- Manuel de Falla at war: on race, sound, and new music / Teresa Cascudo García-Villaraco -- «Les plaisirs de l'imagination sont les seuls réels»: Gétry's writings and the expansion of critical thought at the beginning of the nineteenth century / R.J. Arnold -- Composer-critic and «Intimitable creators»: E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera / Diau-Long Shen -- Critical responses to nineteenth-century music criticism: Johanna Kinkel's 'Trinkleider' and her later lieder collections / Anja Bunzel -- Richard Wagners offener brief über Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde' / Rainer Kleinertz. |
| Language |
17 English, 2 French, 1 German, and 2 Italian contributions. Abstracts in English. |
| Subject |
Musical criticism -- History -- 19th century -- Congresses.
|
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Musical criticism. |
|
History. |
| Chronological Term |
19th century |
|
1800-1899 |
| Genre/Form |
Conference papers and proceedings.
|
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History.
|
|
Conference papers and proceedings.
|
| Added Author |
Cascudo, Teresa, editor.
|
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Centro Studi Opera Omnia Luigi Boccherini-Onlus, organizer.
|
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Palazzetto Bru Zane (Music center : Venice, Italy), organizer.
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| ISBN |
9782503574974 (cloth) |
|
2503574971 (cloth) |
| Standard No. |
9782503574974 |
|
