| Description |
xii, 251 pages : illustrations ; 24 cm. |
| Series |
Ashgate popular and folk music series
|
|
Ashgate popular and folk music series.
|
| Bibliography |
Includes bibliographical references (pages 221-237) and index. |
| Contents |
National identity and music in transition : issues of authenticity in a global setting / John O'Flynn -- Where does world music come from? : globalization, Afropop and the question of cultural identity / David Murphy -- Voicing risk : migration, transgression and relocation in Spanish/Moroccan raï / Parvati Nair -- Banda, a new sound from the barrios of Los Angeles : transmigration and transcultural production / Helena Simonett -- Rapping at the margins : musical constructions of identities in contemporary France / Brian George -- The quest for national unity in Uyghur popular song : barren chickens, stray dogs, fake immortals and thieves / Joanne Smith -- The singer and the mask : voices of Brazil in Antônio Nóbrega's Madeira que cupim não rói / Robin Warner and Regina Nascimento -- Popular music, tradition and Serbian nationalism / Robert Hudson -- Those Norwegians : deconstructing the nation-state in Europe through fixity and indifference in Norwegian club music / Stan Hawkins. |
| Subject |
Popular music -- Social aspects.
|
|
Popular music -- Social aspects. |
|
Popular music. |
|
Popular music -- Political aspects.
|
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Popular music -- Political aspects. |
|
Popular culture.
|
|
Popular culture. |
|
Music and globalization.
|
|
Music and globalization. |
| Added Author |
Biddle, Ian D.
|
|
Knights, Vanessa.
|
| ISBN |
0754640558 alkaline paper |
|
9780754640554 alkaline paper |
|
