LEADER 00000cam a2200457 i 4500
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003 OCoLC
005 20161129094722.0
008 160112t20162016enka b 001 0 eng c
020 9781138938755|qhardcover
020 1138938750|qhardcover
040 YDXCP|beng|erda|cYDXCP|dOCLCO|dDGU|dOCLCF|dWCH
042 pcc
049 WCHA
090 ML3918.P67|bF36 2016
245 00 Fan identities and practices in context :|bdedicated to
music /|cedited by Mark Duffett.
264 1 Abingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2016.
264 4 |c©2016
300 xix, 237 pages :|billustrations ;|c26 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
500 Chapters 1-7 were originally published in Popular Music
and Society, volume 36, issue 3 (July 2013). Chapters 8-
14 were originally publihsed in Popular Music and Society,
volume 38, issue 1 (February 2015).
504 Includes bibliographical references and index.
505 0 Part I. Identities -- Directions in Music Fan Research :
Undiscovered Territories and Hard Problems / Mark Duffett
-- A Long Strange Trip : The Continuing World of European
Deadheads / Peter Smith and Ian Inglis -- Anyone who Calls
Muse a Twilight Band will be Shot on Sight" : Music,
Distinction, and the "Interloping Fan" in the Twilight
Franchise / Rebecca Williams -- Diva Worship and the Sonic
Search for Queer Utopia / Craig Jennex -- Making Monsters
: Lady Gaga, Fan Identification, and Social Media /
Melissa A. Click, Hyunji Lee and Holly Willson Holladay --
His Soul Was Wandering and Holy" : Employing and
Contesting Religious Terminology in Django Fandom / Siv B.
Lie -- My Music, Not Yours : Ravings of a Rock-and-Roll
Fanatic / B. Lee Cooper -- Part II. Fan Practices -- Fan
Practices / Mark Duffett -- 9. Autechre and Electronic
Music Fandom : Performing Knowledge Online through Techno-
Geek Discourses / Thomas Brett -- New Economy of Fandom /
Patryk Galuszka -- "Bandom Ate My Face": The Collapse of
the Fourth Wall in Online Fan Fiction / Ross Hagen --
Filming Concerts for YouTube: Seeking Recognition in the
Pursuit of Cultural Capital / Steven Colburn --
Penfriendships, Exchange Economies, and "FBs": Take That
Fans Networking before the Digital Revolution / Anja
Löbert -- Smells Like Focus Group Spirit? The Changing
Nature of Pop Fandom and its Deployment as a Political
Tool / Rupa Huq -- Conclusion: Beyond "Obsessive"
Collectors and "Screaming" Girls / Mark Duffett.
520 8 Popular music is not simply a series of musicians, moments,
genres or recordings. Audiences matter; and the most
ardent audience members are the fans. To be a fan is to
feel a connection with music. The study of fandom has
begun to emerge as a vital strand of academic research,
one that offers a fresh perspective on the nature of music
culture. Fan Identities and Practices in Context
investigates fan identities and practices in different
contexts and in relation to different bands and artists.
Through a series of empirical case studies the book
reflects a diverse array of objects and perspectives
associated with this vibrant new field of study.
Contributors examine how fans negotiate their identities
and actively pursue their particular interests, touching
on a range of issues including cultural capital,
generational memory, gender, fan fiction and the use of
new media. This book was originally published as two
special issues of Popular Music and Society.
546 English text.
650 0 Popular music fans.|0https://id.loc.gov/authorities/
subjects/sh89000637
650 0 Popular music|0https://id.loc.gov/authorities/subjects/
sh85088865|xSocial aspects.|0https://id.loc.gov/
authorities/subjects/sh00002758
650 7 Popular music fans.|2fast|0https://id.worldcat.org/fast/
1071471
650 7 Popular music|xSocial aspects.|2fast|0https://
id.worldcat.org/fast/1071460
650 7 Popular music.|2fast|0https://id.worldcat.org/fast/1071422
700 1 Duffett, Mark,|0https://id.loc.gov/authorities/names/
n95043732|eeditor.
730 0 Popular music and society.|gVol. 36, issue 3 (July 2013)
730 0 Popular music and society.|gVol. 38, issue 1 (Feb. 2015)
901 MARCIVE 20231220
948 |d20170922|clti|tlti-aex
994 C0|bWCH
