| Description |
1 online resource (xii, 251 pages) : illustrations. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Ashgate popular and folk music series
|
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Ashgate popular and folk music series.
|
| Bibliography |
Includes bibliographical references (pages 221-237) and index. |
| Contents |
National identity and music in transition : issues of authenticity in a global setting / John O'Flynn -- Where does world music come from? : globalization, Afropop and the question of cultural identity / David Murphy -- Voicing risk : migration, transgression and relocation in Spanish/Moroccan ra?i / Parvati Nair -- Banda, a new sound from the barrios of Los Angeles : transmigration and transcultural production / Helena Simonett -- Rapping at the margins : musical constructions of identities in contemporary France / Brian George -- The quest for national unity in Uyghur popular song : barren chickens, stray dogs, fake immortals and thieves / Joanne Smith -- The singer and the mask : voices of Brazil in Ant?onio N?obrega's Madeira que cupim n?ao r?oi / Robin Warner and Regina Nascimento -- Popular music, tradition and Serbian nationalism / Robert Hudson -- Those Norwegians : deconstructing the nation-state in Europe through fixity and indifference in Norwegian club music / Stan Hawkins. |
| Summary |
How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. This book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisi. |
| Access |
Use copy Restrictions unspecified MiAaHDL |
| Reproduction |
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2011. MiAaHDL |
| System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
| Processing Action |
digitized 2011 HathiTrust Digital Library committed to preserve MiAaHDL |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Popular music -- Social aspects.
|
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Popular music -- Social aspects. |
|
Popular music. |
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Popular music -- Political aspects.
|
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Popular music -- Political aspects. |
|
Popular culture.
|
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Popular culture. |
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Music and globalization.
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Music and globalization. |
| Genre/Form |
Electronic books.
|
| Added Author |
Biddle, Ian D., editor.
|
|
Knights, Vanessa, editor.
|
| Other Form: |
Print version: Music, national identity and the politics of location. Aldershot, England ; Burlington, VT : Ashgate, ©2007 0754640558 (DLC) 2006005310 (OCoLC)64098505 |
| ISBN |
9780754683155 (electronic book) |
|
075468315X (electronic book) |
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0754640558 (alkaline paper) |
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9780754640554 (alkaline paper) |
|
