LEADER 00000cam a2200781 i 4500 
001    ocn953576418 
003    OCoLC 
005    20180914025454.0 
008    160624t20172017mduag    b    001 0 eng   
010      2016028586 
019    953598698 
020    9780810888937|q(hardcover ;|qalkaline paper) 
020    0810888939|q(hardcover ;|qalkaline paper) 
040    DLC|beng|erda|cDLC|dBDX|dOCLCF|dOCLCQ|dCHVBK|dYDX|dOCLCO
       |dCOO|dYUS|dOCLCQ|dTDF|dLMR|dRCE|dOCLCO|dGUA|dOCLCA|dWCH 
041 1  eng|hpol 
042    pcc 
043    e-gx--- 
049    WCHA 
050 00 ML410.B13|bP213 2017 
090    ML410 .B122|bP129 2017 
100 1  Paczkowski, Szymon,|0https://id.loc.gov/authorities/names/
       n2004067950|eauthor. 
240 10 Styl polski w muzyce Johanna Sebastiana Bacha.|lEnglish
       |0https://id.loc.gov/authorities/names/n2016034544 
245 10 Polish style in the music of Johann Sebastian Bach /
       |cSzymon Paczkowski ; translated by Piotr Szymczak. 
264  1 Lanham :|bRowman & Littlefield,|c[2017] 
264  4 |c©2017 
300    xvi, 402 pages :|billustrations, music ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Contextual Bach studies ;|v[no. 6] 
500    Translation of: Paczkowski, S. Styl polski w muzyce 
       Johanna Sebastiana Bacha. Poland : Polihymnia, 2011. 
504    Includes bibliographical references and index. 
505 0  Part I: Baroque music and the Polish style: theoretical 
       and historical problems -- The Polish style in eighteenth-
       century music theory -- Polish dances in German baroque 
       music culture -- Polonaises in Johann Sebastian Bach's 
       instrumental music -- Part II: The metaphorical dimension 
       of the Polonaise: the theme of the kingdom of heaven in 
       Bach's sacred music -- The motet Singet dem Herrn ein 
       neues Lied, BWV 225: style, texture, and theological 
       message -- The cantatas BWV 190, 69a, and 137: praise for 
       the king of heaven -- Cantatas BWV 50 and 184: a herald of
       the approaching kingdom of heaven -- Part III: On the Mass
       in B minor, BWV 232 -- The meaning of the Polonaise in 
       "Quoniam tu solus sanctus": an aria dedicated to the king 
       -- Problems of parody and style in the Mass in B minor: 
       parody sources for the "Et resurrexit" chorus -- Part IV: 
       The Polonaise in Bach's secular cantatas -- The story of 
       an "Aria tempo de Polonaise" for Joachim Friedrich von 
       Flemming -- A Polonaise duet for a professor, a king, and 
       a merchant: on cantatas BWV 205, 205a, 216, and 216a -- A 
       Polonaise for a queen: politics and propaganda in Tonet, 
       ihr Pauken! Erschallet Trompeten!, BWV 214 -- The Polish 
       style in musical satire: Cantate en burlesque / Mer hahn 
       en neue Oberkeet, BWV 212 (Peasant cantata) -- Coda. 
520    Now appearing in an English translation, this book by 
       Szymon Paczkowski is the first in-depth exploration of the
       Polish style in the music of Johann Sebastian Bach. Bach 
       spent almost thirty years living and working in Leipzig in
       Saxony, a country ruled by Friedrich August I and his son 
       Friedrich August II, who were also kings of Poland (as 
       August II and August III). This period of close Polish-
       Saxon relations left a significant imprint on Bach's 
       music. Paczkowski's meticulous account of this complex 
       political and cultural dynamic sheds new light on many of 
       Bach's familiar pieces. The book explores the semantic and
       rhetorical functions that undergird the symbolism of the 
       Polish style in Baroque music. It demonstrates how the 
       notion of a Polish style in music was developed in German 
       music theory, and conjectures that Bach's successful 
       application for the title of Court Composer at the court 
       of the Elector of Saxony and King of Poland would induce 
       the composer to deliberately use elements of the Polish 
       style. This comprehensive study of the way Bach used the 
       Polish style in his music moves beyond technical analysis 
       to place the pieces within the context of Baroque customs 
       and discourse. This ambitious and inspiring study is an 
       original contribution to the scholarly conversation 
       concerning Bach's music, focusing on the symbolism of the 
       polonaise, the most popular and recognizable Polish dance 
       in 18th-century Saxony. In Saxony at this time the 
       polonaise was associated with the ceremonies of the royal-
       electoral court in Dresden, and Saxon musicians regarded 
       it as a musical symbol of royalty. Paczkowski explores 
       this symbolism of the Polish royal dance in Bach's 
       instrumental music and, which is also to be found to an 
       even greater extent, in his vocal works. The Polish Style 
       in the Music of Johann Sebastian Bach provides wide-
       ranging interpretations based on a careful analysis of the
       sources explored within historical and theological 
       context. The book is a valuable source for both teaching 
       and further research, and will find readers not only among
       musicologists, but also historians, art historians, and 
       readers in cultural studies. All lovers of Bach's music 
       will appreciate this lucid and intriguing study. 
546    English from Polish. 
600 10 Bach, Johann Sebastian,|d1685-1750|0https://id.loc.gov/
       authorities/names/n79021425|xCriticism and interpretation.
       |0https://id.loc.gov/authorities/subjects/sh99005576 
600 10 Bach, Johann Sebastian,|d1685-1750.|tCantatas.|0https://
       id.loc.gov/authorities/names/n81014379 
600 10 Bach, Johann Sebastian,|d1685-1750.|tMasses,|nBWV 232,|rB 
       minor.|0https://id.loc.gov/authorities/names/no97078986 
600 17 Bach, Johann Sebastian,|d1685-1750.|2fast|0https://
       id.worldcat.org/fast/31701 
600 17 Bach, Johann Sebastian|d1685-1750.|2gnd|0(DE-588)11850553X
630 07 Cantatas (Bach, Johann Sebastian)|2fast|0https://
       id.worldcat.org/fast/1356495 
630 07 Masses (Bach, Johann Sebastian)|2fast|0https://
       id.worldcat.org/fast/1359441 
648  7 18th century|2fast 
648  7 1700-1799|2fast 
650  0 Music|zGermany|y18th century|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2010102845 
650  0 Music|xPolish influences.|0https://id.loc.gov/authorities/
       subjects/sh2016001482 
650  0 Polonaises|0https://id.loc.gov/authorities/subjects/
       sh85104553|xHistory and criticism.|0https://id.loc.gov/
       authorities/subjects/sh99001187 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
650  7 Music|xPolish influences.|2fast|0https://id.worldcat.org/
       fast/1940554 
650  7 Polonaises.|2fast|0https://id.worldcat.org/fast/1070255 
650  7 Geistliche Musik.|2gnd|0(DE-588)4126228-1 
650  7 Instrumentalmusik.|2gnd|0(DE-588)4129951-6 
650  7 Polonaise.|2gnd|0(DE-588)4209517-7 
650  7 Rezeption.|2gnd|0(DE-588)4049716-1 
651  7 Germany.|2fast|0https://id.worldcat.org/fast/1210272 
651  7 Polen.|2gnd|0(DE-588)4046496-9 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
700 1  Szymczak, Piotr|c(Translator),|0https://id.loc.gov/
       authorities/names/n2018003662|etranslator. 
776 08 |iOnline version:|aPaczkowski, Szymon.|tPolish Style in 
       the music of Johann Sebastian Bach.|dLanham : Rowman & 
       Littlefield, [2016]|z9780810888944|w(DLC)  2016032474 
830  0 Contextual Bach studies ;|0https://id.loc.gov/authorities/
       names/n2005093874|vno. 6. 
856    |zWorldCat Link|uhttp://worldcat.org/oclc/953576418 
901    MARCIVE 20231220 
948    |d20180926|clti|tlti-aex 
994    C0|bWCH