| Description |
xiii, 473 pages ; 24 cm. |
| Series |
Festschrift series ; no. 7
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Festschrift series ; no. 7.
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| Bibliography |
Bibliography: page. |
| Contents |
Introduction. -- I: Beethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism / Ruth A. Solie ; Writing about influences: Idomeneo, a case study / John Platoff ; Scylla and Charybdis, or steering between form and social context in the seventeenth century / Margaret Murata ; Toward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky / Rose Rosengard Subotnik -- |
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II: Masters and servants: theory in the literary academy / Barbara Hernstein Smith ; Music perception, music theory, and psychology / Burton S. Rosner ; What trecento music theory tells us / Jan Herlinger -- |
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III: Concrete musical knowledge and a computer program for species counterpoint / Robert O. Gjerdingen ; Melody and the Markoff-Chain model: a gregorian hymn repertory / Frank Tirro ; Pitch class and perceived height: some paradoxes and their implications / Diana Deutsch ; Affective design in Schubert's Moment musical op. 94 no. 6 / john Chesnut ; On the relationship of analytical theory to performance and interpretation / Eugene Narmour -- |
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IV: Aspects of musical space / Patricia Carpenter ; Tonality in a new key / James C. Kidd ; When a coda is more than a coda: reflections on Beethoven / Robert G. Hopkins ; Compatibility, coherence, and closure in Brahm's Liebeslieder Waltzes / David Brodbeck. -- About Leonard B. Meyer: a biographical vignette / Janet M. Levy -- Writings by Leonard B. Meyer. |
| Subject |
Music -- History and criticism.
|
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Music. |
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Music theory.
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Music theory. |
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Arts.
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Arts. |
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Meyer, Leonard B.
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Meyer, Leonard B. |
| Genre/Form |
Festschriften.
|
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Festschriften.
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| Added Author |
Meyer, Leonard B.
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Narmour, Eugene, 1939-
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Solie, Ruth A.
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| ISBN |
0918728940 library binding $48.00 (est.) |
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