| Description |
xxiv, 257 pages : illustrations, music ; 25 cm |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Great, Scott! / Stan Hawkins -- Evidence of things not seen: history, subjectivities, music -- Susan McClary -- Musical identities, learning and education: some cross-cultural issues / Lucy Green -- Béla Bartók: reintegrating the semantic and syntactic axes in Duke Bluebeard's Castle / David Cooper -- Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in 19th-century Helsinki / Vesa Kurkela -- From schizophonia to paraphonia: on the cultural mix of digitally generated pop-sounds / Peter Wicke -- Material culture and decentered selfhood (socio-visual typologies of musical excess) / Richard Leppert -- 'As fast as one possibly can...' Virtuosity, a truth of musical performance? / Antoine Hennion -- On music criticism and affect: two instances of the disaffected acoustic imaginary / John Richardson -- The development of Bob Dylan's rhythmic sense: 'the times they were a'changin' (1958-1964) / Charles Ford -- How genres are born, change, die: conventions, communities and diachronic processes / Franco Fabbri -- Anatomy of the encounter: intercultural analysis as relational musicology / Nicholas Cook -- One way of feeling: contextualizing a hermeneutics of spatialization / Allan F. Moore -- The virtuoso body, or, the two births of musical performance / Lawrence Kramer -- Epilogue, Sheila Whiteley |
| Subject |
Music -- History and criticism.
|
|
Music. |
|
Music -- Social aspects.
|
|
Music -- Social aspects. |
|
Musicology.
|
|
Musicology. |
| Genre/Form |
Festschriften.
|
|
Festschriften.
|
| Added Author |
Hawkins, Stan.
|
|
Scott, Derek B.
|
| ISBN |
9781409425601 hardcover alkaline paper |
|
1409425606 hardcover alkaline paper |
|
9781409425618 ebook |
|
1409425614 ebook |
|
